Browse: hat (label)

In Fraser’s performance, space opens up between your ears and the recorded environment, terrain into which the music unfolds — Gramophone Magazine, May 2017 More…

Heard here in an outstanding performance by the Ives Ensemble, Feldman’s Trio (1980) is deliciously confounding, full of formal ambiguity and a certain elusive playfulness. — BBC Music Magazine, March 2018, 5 out of 5 stars More…

The piano-writing [in Choralvorspiele] ranges from manic to stark: from the note-spinning of the fifth movement, reminiscent of the ‘High’ Baroque at its most obsessive, to, at the other extreme,... — Gramophone Magazine, November 2018 More…

Hope has evolved a style that supersedes the notion of genre, drawing together mainstream avant-garde and experimental traditions, acousmatic music and sonic design, noise, found objects and... — Gramophone Magazine, October 2017 More…

Lim's broader aspiration [is] to blend a kind of ecstatic expressionism with the evocation of an essentially primitive spirituality. To do this by way of orchestral forces capable of Straussian... — Gramophone Magazine, May 2015 More…