Harmonia Mundi
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Emmanuelle Bertrand plays Dutilleux & Debussy
Emmanuelle Bertrand (cello), Pascal Amoyel (piano)
Luzerner Sinfonieorchester, James Gaffigan
I can't do better than quote the testimony of Henri Dutilleux himself, praising 'the transparency of Emmanuelle Bertrand's sound, her rhythmic strictness, her technical perfection, the brio... — More…
Awards:
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BBC Music Magazine, January 2016, Concerto Choice
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Mozart - The Last Concertos
Lorenzo Coppola (basset clarinet), Andreas Staier (fortepiano)
Freiburger Barockorchester, Gottfried von der Goltz
Awards:
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Gramophone Magazine, May 2008, Editor's Choice
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Concerto - Venice: The Golden Age
Xenia Löffler (baroque oboe)
Akademie für Alte Musik Berlin, Georg Kallweit
Here, in all its radiant apparel, is the splendour of Venice's golden age...Loffler is a fine performer with a rounded, mellow tone and remarkable dexterity...a captivating musical portrait... — More…
Awards:
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BBC Music Magazine, December 2014, Concerto Choice
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Richard Egarr is the doyen of English harpsichordists at present, displaying uninhibited virtuosity, rhetorical and dramatic sensibilities, and an ear for refinement of sound. This discriminating... — More…
Awards:
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Gramophone Magazine, April 2004, Editor's Choice
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Dvorak: Violin Concerto & Piano Trio No. 3
RecommendedIsabelle Faust (violin), with Jean-Guihen Queyras (cello), Alexander Melnikov (piano)
The Prague Philharmonia, Jirí Belohlávek
Faust's exultant solo playing, magnificently matched by the orchestra, is hugely infectious; in short, a performance to treasure and one very close to the head of the field. — More…
Awards:
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Building a Library, April 2006, First Choice
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Saint-Saëns: Symphony No. 3 'Organ Symphony' & Piano Concerto No. 4
Daniel Roth (organ), Jean-François Heisser (piano), Les Siècles, François-Xavier Roth
a truly one-off spectacle in which the organ’s presence in that famous finale is felt as in virtually no other recording. Also included is an equally compelling account of the Fourth Piano Concerto,... — More…
CD
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Telemann: Viola Concertos, Overtures & Fantasias
Antoine Tamestit (viola), Akademie Für Alte Musik Berlin, Sabine Fehlandt, Bernhard Forck
Tamestit’s celebration of Telemann’s viola writing, and the characterful vignettes which provide indelible colour to his orchestral suites, is an evenly sustained delight. — More…
Awards:
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International Classical Music Awards, 2023, Nominated - Baroque Instrumental
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Bartók: Concerto for Orchestra & Piano Concerto No.3
Javier Perianes (piano)
Münchner Philharmoniker, Pablo Heras-Casado
[The Concerto] is Bartók In repose contemplating his homeland from afar, half-remembered melodies given a singing expressiveness to which Javier Perianes brings great warmth…The two Spaniards... — More…
Awards:
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BBC Music Magazine, April 2018, Concerto Choice
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Platti - Concerti Grossi after Corelli
RecommendedXenia Löffler (oboe), Sebastian Hess (cello)
Akademie für Alte Musik Berlin
Platti… was a virtuoso oboist: the D minor Largo of his Concerto, tender and melancholy, more than makes up for the rather formulaic cast of the outer movements. Xenia Löffler produces beautifully... — More…
Awards:
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Presto Recording of the Week, 19th January 2009
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Schumann: Cello Concerto, Piano Trio No. 1
RecommendedJean-Guihen Queyras (cello), Isabelle Faust (violin), Alexander Melnikov (fortepiano)
Freiburger Barockorchester, Pablo Heras-Casado
Melnikov marshals the crystalline timbres of his 1847 Streicher fortepiano with panache and clarity without in any way sacrificing the urgency of the musical argument … Intimacy also lies at... — More…
Awards:
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Presto Recordings of the Year, Finalist 2016
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