Glossa
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The instruments’ mellow sounds are absolutely lovely, every one of Schayegh and Schultsz’s tempos are spot on, and if I disagree with a few interpretative decisions, their expressive intentions... —
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Brescianello: Concerti, Sinfonie & Ouverture
La Cetra Barockorchester Basel, David Plantier & Vaclav Luks (direction)
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Giovanni Zamboni: Sonate d'intavolatura di leuti, Lucca 1718
Sonatas 1-4, 6, 7, 9
Luciano Contini (archlute)
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Francisco Corselli: Music at the Spanish Court
Nuria Rial (soprano)
El Concierto Español, Emilio Moreno
[Rial] matches the orchestra perfectly, and the balance between voice and instruments is very good. El Concierto Español delivers convincing interpretations of the orchestral scores; the wind... —
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Director and flautist Carlo Ipata puts the composer’s gifts on full display. The music is uniformly ravishing and, the cantata apart, all recorded for the first time. Soprano Roberta Invernizzi... —
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This live anthology is a clever way of offering a 'sampler' of La Venexiana's survey of Monteverdi's madrigals without resorting to the mere duplication of their existing catalogue. It gives... —
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Mozart - The Last Concerto 1791
Eric Hoeprich ('original' basset clarinet, basset horn), Joyce DiDonato (mezzo-soprano)
Orchestra of the Eighteenth Century, Frans Bruggen
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I can hardly wait for the next Desmarest recording, but in the meantime this one will certainly be keeping me happy —
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