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J S Bach - De Occulta Philosophia
José Miguel Moreno (baroque lute), Emma Kirkby (soprano), Carlos Mena (countertenor)
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this is doubtless a good-value way to explore the ensemble’s work and some otherwise unavailable though interesting repertoire —
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Jones, Richard: Chamber Airs for a Violin (and Thorough Bass)
Kreeta-Maria Kentala (violin), Lauri Pulakka (cello) & Mitzi Meyerson (harpsichord)
Jones could hardly hope for more devoted advocates than Meyerson and her Finnish colleagues, the three instrumentalists accenting the music's theatrical qualities, variegated colours and special... —
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Stella Del Nostro Mar
Past and present reflections of the Marian inspiration
Cantica Symphonia, Giuseppe Maletto
The vocal quartet's tone is gentle and not overly assertive… at its best the results are very satisfying. Isaac's setting of the popular Alma redemptoris chant is glowingly done, and incidentally... —
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The performance [of Stravinsky's Octet] here is beautifully executed with a delightful and exuberant finale. —
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L’Amor de Lonh
Medieval songs of love and loss
Ensemble Gilles Binchois: Anne-Marie Lablaude (soprano), Cyprianos Sadek (baritone), Baptiste Romain (viol & cornamuse), Keyvan Chemirani (zarb & daf ) & Dominique Vellard (tenor & oud, direction)
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…such satisfying tone, and remarkably few intonation issues for a recording on period instruments. —
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Luzzaschi: Concerto delle Dame
Roberta Mameli, Emanuela Galli, Francesca Cassinari (sopranos)
La Venexiana, Claudio Cavina (direction)
this is music of intimate emotion and subtle embellishment, with two or three voices intertwining above an instrumental accompaniment – in stark contrast to the usual a cappella style of madrigal... —
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