Glossa
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Mozart: Arias for Aloysia Weber
Cyndia Sieden (soprano)
Orchestra of the 18th Century, Franz Brüggen (director)
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Works For the Viennese Bass From the Late 18th Century
David Sinclair, Schola Cantorum Basiliensis (early music ensemble)
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The solo performances are incandescent, veering between searing lyricism and precocious virtuosity. Extemporisations show why Chiara enthralled her audiences...In a short bonus DVD, Chiara's... — More…
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Moreno on his 1761 Gagliano is sunny of outlook and sweetly austere of playing style, articulation subtly detached, with vibrato switching between light and none. Zapico, meanwhile, is eloquent... — More…
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Gretry: Andromaque
Karine Deshayes (soprano), Maria Riccarda Wesseling (mezzo-soprano), Sébastien Guèze (tenor) & Tassis Christoyannis (baritone)
Le Concert Spirituel, Hervé Niquet
The performers face interesting challenges...the lovely exchange between Andromache and the chorus at Hector's tomb is brought to life by the mezzos...Under Hervé Niquet's guidance, the orchestral... — More…
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2 CDs
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Microcosm Concerto
Harp Music by G. F. Handel
Mara Galassi (Welsh triple harp and erard harp), Giovanni Togni (organ, harpsichord, fortepiano)
It is difficult to dislike anything produced by the fabulous Spanish label Glossa, and this unusual venture is no exception to the rule...Galassi's playing is fluent and silvery, and listeners... — More…
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Paradisi stands revealed as a pan-European, one moment recalling an Iberian CPE Bach, the next courting Couperin. A sonorously rounded instrument underpins Baiano's vibrant playing. — More…
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CD
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