ECM
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Mozart: Piano Concertos Nos. 17 and 20
Keith Jarrett (piano)
Stuttgart Chamber Orchestra, Dennis Russell Davies
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Hartmann: Concerto Funèbre, Symphony No. 4 & Chamber Concerto
Isabelle Faust, Paul Meyer
Munich Chamber Orchestra, Petersen Quartet, Christoph Poppen
When Hartmann opted for internal exile during the Nazi era, he took with him some key influences from the free musical world. Beam up around 0'33" into the third movement of the 1939 Concerto... —
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Special offer. Feldman, M: Violin and Orchestra
Carolin Widmann (violin)
Frankfurt Radio Symphony Orchestra, Emilio Pomàrico
a gloriously abstract tapestry of unprecedented sounds. A compelling journey every time. —
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Pärt: Tractus
Maria Listra: (soprano) (L'Abbe Agathon), Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tonu Kaljuste
Conductor Tõnu Kaljuste and ECM’s producer Manfred Eicher are Pärt ’s long-term collaborators, and they make an utterly assured contribution to this concentrated retrospective of the composer’s... —
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…there is often an expressive intensity about his approach which leaves us in no doubt about the depth of his feelings. —
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Thomas Zehetmair & Ruth Killius: Manto and Madrigals
Thomas Zehetmair (violin), Ruth Killius (viola)
Zehetmair is the intellectual's violinist, with a hair-trigger precision of sound and rhythm, and an eager interest in the allusive and tough-minded parts of contemporary music. His wife, the... —
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Kancheli: Chiaroscuro
Gidon Kremer (violin/director), with Patricia Kopatchinskaja (violin)
Kremerata Baltica
Technically, this music works only if its simplicity is expressed on the most complex and wide-ranging spectrum of tone, colour and dynamics, and that is what Gidon Kremer and his wonderful... —
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Lachenmann: Das Mädchen mit den Schwefelhölzern
SWR Symphony Orchestra/SWR Vocal Ensemble, Sylvain Cambreling
Retelling Hans Christian Andersen's tale of the little match girl who freezes to death on Christmas Eve as a parable of modern society's inhumanity, while drawing parallels with the fate of... —
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