ECM
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Bach, J S: Cello Suite No. 3 in C major, BWV1009, etc.
Hansheinz Schneeberger, Thomas Demenga, Philippe Racine, Enrico Molinari, Paul Cleemann, Gerhard Huber, Jürg Wyttenbach
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Carolin Widmann and Simon Lepper respond superbly to the individual challenges of each piece, achieving the highest standards in such different music. Lepper copes admirably with Xenakis's... —
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Márquez is always a thoughtful, imaginative player, as supple as he is subtle, across a wide range of genres and periods from Renaissance to contemporary. Here, however, he is on home turf,... —
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Barber & Bartók: Keith Jarrett
Keith Jarrett (piano)
Rundfunk-Sinfonieorchester Saarbrücken & New Japan Philharmonic, Kazuyoshi Akiyama & Dennis Russell Davies
Jarrett's passagework [in the Barber] has a glittering edge, and he gives the music an exhilaratingly improvisatory feel. —
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The Bach is beautifully realised, Schiff relishing a serene duetting rapport with Shiokawa in the second Adagio…In the Busoni, Shiokawa’s innate cantabile comes into its own in the shadowy variations…and... —
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Piano music seldom comes so bare and unadorned: the usual recipe is a single-note melody in the right hand with a single-note accompaniment in the bass…The soundworld of a grand piano could... —
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Schubert: Fantasy in C major, Rondo in B minor & Sonata in A major
Carolin Widmann (violin) & Alexander Lonquich (piano)
Widmann and Lonquich are happy to take each piece on its own terms, to mainly winning effect. —
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Robert Dowland's Musicall Banquet needs no introduction, except to remark on the irresistible challenge it poses for the singer - mastering four very different adioms, French, Italian, Spanish... —
