ECM
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The overall feel of their collection is duly nocturnal, with gentler songs and rippling accompaniments providing a gentle listen. Then there’s a haunting ‘Der Leiermann’, the cello breaking... —
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Both Kaljuste's orchestra and his instinct are good ones; the insistent suspensions of Gesualdo's vocal writing - not so much sliding as grinding over one another - translate beautifully for... —
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Tigran Mansurian: Con Anima - Chamber Music
Boris Allakhverdyan (clarinet), Michael Kaufman (cello), Steven Vanhauwaert (piano), Varty Manouelian (violin), Kim Kashkashian (viola), Tatevik Mokatsian (piano), Karen Ouzounian (cello), Movses Pogossian (violin), Teng Li (viola)
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There’s a special feeling of intimacy and mutual understanding in Yuuko Shiokawa and András Schiff’s music-making – not surprising given they’re also life partners – that makes their relatively... —
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Ars Moriendi
Paul Giger (violin), Pudi Lehmann (percussion), Marie-Louise Dähler (harpsichord, positive organ), Carmina Quartet (string quartet), Carmina Quartett (string quartet), Jürg Surber (double bass), Franz Vitzthum (countertenor)
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The playing is superb, capturing the most delicate hues and gentlest whispers of the score, and the immaculate recording provides the inky blackness from which the music emerges and into which,... —
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his own playing at times has something of the velvety fastidiousness of Víkingur Ólafsson…If, occasionally, the results are a little overwrought (‘Liebster Jesu wir sind hier’ BWV 633 is rather... —
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Henry Purcell: Fantazias
John Holloway (violin), Monika Baer (viola), Renate Steinmann (viola), Martin Zeller (cello)
