Dutton

Psaume 47, with Susan Bullock as a fine soloist, is luxuriously delivered by the São Paulo Symphony Orchestra and chorus, with conductor Yan Pascal Tortelier ensuring an authentically Gallic... — The Observer, 3rd July 2011 More…

the idiom is affably that of light music, full of pleasantly swinging rhythms and whistle-able melodies. But there's also a certain edge and astringency which keeps you listening...Amy Dickson's... — BBC Music Magazine, March 2012, 4 out of 5 stars More…

[Takenouchi] is impeccable in his pianism and unfailing in his idiomatic grasp...a must-have for anyone interested in the post-history of the Romantic piano concerto. With decent orchestral... — Gramophone Magazine, August 2012 More…

The marches, of which there are four, come off with an especially refreshing élan. The inclusion of two rare suites is another plus. — Gramophone Magazine, July 2008 More…

[the Violin Concerto is] a sparkily inventive, urgently expressive and immaculately crafted work...[the Romantic Fantasy] also proves a genuine find, with writing that is conspicuously imaginative,... — Gramophone Magazine, March 2012 More…

Lyapunov's consciously Russian chants, songs and dances sound as good as their models - Borodin very much to the fore - and the framing moonshine of his Nocturne brings playing of spellbinding... — BBC Music Magazine, November 2004, 5 out of 5 stars More…

[The Glass Mountain Suite] is given a touching performance, with a number of fine performances from individual players…[in the Sinfonia brevis] the lyrical passages are turned on their heads... — Gramophone Magazine, August 2015 More…

Throughout Gritton is musically purposeful… while Martyn Brabbins and the BBC players do a fine job. — BBC Music Magazine, October 2009, 4 out of 5 stars More…

Agile solo work from Ian Scott and diligent support from Barry Wordsworth and the Royal Ballet Sinfonia make this an issue worth exploring. — Gramophone Magazine, March 2006 More…