DG Archiv
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this is the Tenebrae ensemble singing the Responsories associated with the Tenebrae period. There have been several fine recordings of these items...but this one excels, partly because it gets... — More…
Awards:
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BBC Music Magazine, June 2013, Choral & Song Choice
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Offer,
Mozart: Mass in C minor Camilla Tilling (soprano), Sarah Connolly (soprano), Timothy Robinson (tenor), Neal Davies (bass)
Gabrieli Consort & Players, Paul McCreesh
Paul McCreesh and his forces provide a fine blend of vigour and sensitivity, revealing the music's power and constant ingenuity… The soloists are a well-chosen quartet, with particularly notable... — More…
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Gramophone Magazine, January 2006, Editor's Choice
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Awards:
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Gramophone Awards, 1993, Winner - Baroque Instrumental
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Ombre de mon amant
French Baroque Arias
Anne Sofie von Otter (mezzo soprano)
Chœur et orchestre Les Arts Florissants, William Christie
For readers who have yet to be seduced by French Baroque music, Anne Sofie von Otter's recital with Les Arts Florissants and William Christie may be the start of a grand passion. Charpentier... — More…
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Gramophone Awards, 2010, Finalist - Recital
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Bach, C P E: Hamburg Symphonies (6) for Strings, Wq. 182 (H657-662)
RecommendedThe English Concert, Trevor Pinnock
Awards:
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Gramophone Awards, 1980, Winner - Early Music
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'Singing Mozart is second nature to her,' enthuses Rattle of Magdalena KoOená. 'Each woman on each track is a completely distinct personality.' Promotional hype? Well, in hyper-Beckmesserish... — More…
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Gramophone Magazine, September 2006, Disc of the Month
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Mozart: La clemenza di Tito, K621
(complete opera)
Anthony Rolfe Johnson, Anne Sofie von Otter, Sylvia McNair, Julia Varady, Catherine Robbin, Cornelius Hauptmann
English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner
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Awards:
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Gramophone Awards, 1989, Winner - Early Music (Baroque)
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Biber: Missa Salisburgensis
RecommendedGabrieli Consort and Players & Musica Antiqua Köln, Paul McCreesh & Reinhard Goebel
Awards:
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Building a Library, December 2004, First Choice
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Six unfamiliar concertos… show how skilled Vivaldi was at turning baroque clichés in unexpected directions. Carmignola finds wit in the first, and tenderness in the second, all articulated through... — More…
Awards:
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Gramophone Magazine, August 2006, Editor's Choice
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