Champs Hill Records

Rodgers and Williams are equal partners, flitting effortlessly between enchantment and cynicism...Williams's command of these acerbic mini-dramas is superb but the most impressive aspect is... — BBC Music Magazine, October 2013, 4 out of 5 stars More…

The British-American cellist’s supple phrasing, variegated tone and sensitivity to harmonic incident draw one directly into the music’s interior drama…LaFollette is admirably meticulous In following... — Gramophone Magazine, October 2017 More…

A thrilling exploration of the world of Alma Mahler; works, both old and new, are infused with the emotional toxicity of her affair with Oskar Kokoschka. — BBC Music Magazine, June 2020, 5 out of 5 stars More…

Whately's choice is eclectic…[and] she sings them with attractive brightness and fervour. Her tone is not yet as distinctive as Janet Baker or Sarah Connolly, say, but there's a plangent shading... — BBC Music Magazine, June 2015, 4 out of 5 stars More…

[Broderick’s] steely soprano and declamatory way with words serve her wonderfully well when it comes to Debussy and Ravel…James Baillieu is Broderick’s outstanding pianist, nowhere more so than... — Gramophone Magazine, November 2016 More…

Through all of these Johnson and his namesake, accompanist Graham Johnson, are vivid guides. Johnson (the singer [possesses] melting head tones but also a sometimes forceful edge. Each of the... — Gramophone Magazine, December 2016 More…

This is a quite remarkable gathering together of songs that evoke so many emotions. Clare McCaldin shows how she is able to shape and control her voice to draw so much from each song, following... — The Classical Reviewer, June 2016 More…