Champs Hill Records

A unique and engaging recital. — BBC Music Magazine, February 2014, 4 out of 5 stars More…

Middleton is everywhere a sensitive and imaginative accompanist to Amanda Roocroft, whse intimate, emotionally versatile singing is always engaging, even if there are times when her soprano... — BBC Music Magazine, September 2013, 4 out of 5 stars More…

Tsybuleva delivers [CPE Bach’s Fantasie] brilliantly, with its opening exquisitely ruminative, and its frantically busy figurations alternating with a sense of wonderment, as though we are exploring... — BBC Music Magazine, September 2017, 4 out of 5 stars More…

The vast plains of Schubert’s opening movement unfold at an unhurried pace, which is not a problem if the reading is sufficiently gripping. But there were times when In hankered after more forward... — Gramophone Magazine, February 2018 More…

This lovingly chosen recital...celebrates dance and song...Less robust or outgoing than many others, Tom Poster makes a haunting virtue of inwardness and refinement. His sound is warm and beguiling...His... — Gramophone Magazine, April 2014 More…

Anybody disinclined to take the accordion seriously as a classical instrument should listen to the opening track here...[the Nordheim and Berio] are advertisements for the accordion's expressive... — BBC Music Magazine, December 2011, 4 out of 5 stars More…

The B flat Trio receives a pleasantly warm performance here, with textures kept clear and resonant...The players deal sympathetically with this most sympathetic music...[In the Trout] the Andante... — International Record Review, October 2010 More…

Energetic playing here from the Benyounes; the Bartók and Beethoven blister, while the Debussy is an animated delight in their hands. — BBC Music Magazine, May 2019, 4 out of 5 stars More…