Challenge Classics
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Thomascantors in Dialogue: Telemann, Fasch, Bach, Graupner
Thomas Triesschijn & the Counterpoints Xl
CD
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Prokofiev: Symphonies No. 2 & No. 4 (Second Version)
Netherlands Radio Philharmonic Orchestra & James Gaffigan
James Gaffigan
Gaffigan is relatively brisk [in the Fourth], avoiding slackness, but at the expense of some nuance and opportunities for characterisation, notably in the third movement. — More…
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Period-instrument ensemble Ars Antiqua Austria takes the contrapuntal dexterity by the scruff of the neck and the musicians revel in readings that ooze brio and boisterous élan. Just occasionally... — More…
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Raaff: Melodies Unheard
Sophia Burgos (soprano)
Raschèr Saxophone Quartet, Radiokamer Filharmonie, Doelen Ensemble, Orchestre de Picardie, Het Gelders Orkest, Emilio Pomárico, Arie van Beek, Antonello Manacorda
CD
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Graupner's overtures and concertos are duskily attractive, while the violin sonatas have Italianate verve. — More…
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Undercover Bach: Orchestral suites and concertos
Jurgen Gross (musical director)
Elbipolis Baroque Orchestra of Hamburg
The arrangements have their whimsical percussion or folk effects, but are bracing and fun, and the playing has a lacerating ferocity that won’t please all ears. I found it invigorating. — More…
CD
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moderntimes 1800
Sinfonias from the Enlightenment
Modern Times_1800, Ilia Korol & Julia Moretti (artistic direction)
Using period instruments, Moderntimes_1800… play the fast movements with panache and terrific rhythmic energy, and understand the vein of delicate galanterie in the Andantes. — More…
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