Accentus Music

the Adagio at the start of the Finale, one of Mozart’s finest inspirations, is very sensitively done; and the players move pleasingly into the ‘boys and girls come out to play’ Allegro. — classicalsource.com, March 2019, 4 out of 5 stars More…

The performances certainly feel freshly imagined...There is every so often a wiriness here that will not be to all tastes. A challenging listen, then, but one bringing abundant rewards. — Gramophone Magazine, May 2024 More…

Right from the first note, you realise Chochieva has not just drifted into the studio on a whim or simply to fulfil a contract. This is music-making of real purpose and conviction. — Gramophone Magazine, April 2021 More…

Sublimely controlled, Barenboim throws down the expressive gauntlet with playing as subtle as it is high-voltage and apparently – paradoxically – on the edge of reason. Underpinning the whole... — BBC Music Magazine, April 2018, 5 out of 5 stars More…

From the moment she put bow to strings, I was immediately taken by the simplicity, directness, responsiveness, and communicativeness of Kang’s playing. It was like a breath of fresh air...for... — Fanfare, March/April 2022 More…

Osokins is right at home in this repertoire, having caused something of a stir at the 2015 Warsaw Chopin Competition, and he certainly has the requisite mix of agility and grace demanded by... — Gramophone Magazine, January 2021 More…