Arcana
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Haydn - Sonatas and Variations
Recorded October 18th-19th 2008, Kremsmünster, Schloss Kremsegg, Museum für Musikinstrumente
Paul Badura-Skoda (fortepiano Johann Schantz Vienna ca. 1790)
Despite, indeed partly because of the imperfections there is an immediacy and intensity here as his 81-year old fingers feel their way from one musical configuration to another that is in a... — More…
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A vivid performance – a foil for the diverse cast of musical characters around her. The standout is Aspromante. This young soprano…is all sparking ease and delight, blending beautifully with... — More…
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Venetian Cello Sonatas
Under the Shade of Vivaldi
Gaetano Nasillo, Anna Fontana, Sara Bennici, Evangelina Mascardi
The performance by Gaetano Nasillo is nicely done, with a well-rounded tone and considerable depth to his interpretations. He navigates the various difficulties, including the double-stops,... — More…
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Schutz: Musicalische Exequien: German Funeral Music of the 17th Century
German Funeral Music of the 17th Century
Voces Suaves, Johannes Strobl
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Even in the sometimes twisting inner voices, she makes each and every note, chord, and phrase stand out so that we have a fine sense of the complexity of these arrangements. Clarity and a fine... — More…
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JS Bach: Cello Suites & Viola da Gamba Sonatas
Wieland Kuijken (cello and cello piccolo), Wieland Kuijken (viola da gamba), Piet Kuijken (harpsichord)
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Stradella: La Doriclea
Emőke Baráth (Doriclea), Xavier Sabata (Fidalbo), Giuseppina Bridelli (Lucinda), Luca Cervoni (Celindo), Gabriella Martellacci (Delfina) & Riccardo Novaro (Giraldo)
Il Pomo D’oro, Riccardo Novaro
Emőke Baráth is a feisty Doriclea and nowhere more so than in her encounter with Xavier Sabata’s Fidalbo in Act II. But it’s Gabriella Martellaci’s rich contralto as the worldly-wise Delfina... — More…
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For the King of Prussia - Beethoven: Sonatas for Fortepiano and Cello, Op. 5
Marco Ceccato (cello), Anna Fontana (piano)
There is much to savour in the way that Beethoven orchestrates the cut and thrust of the big movements and the chirpier Rondos that follow, especially when ethereal slow moments interrupt the... — More…
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