Browse: Opus Arte (label)
This page lists all recordings from the label Opus Arte.
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Rossini: Il barbiere di Siviglia
Danielle de Niese (Rosina), Alessandro Corbelli (Dr Bartolo), Björn Bürger (Figaro), Taylor Stayton (Count Almaviva), Christophoros Stamboglis (Basilio) & Janis Kelly (Berta)
London Philharmonic Orchestra & The Glyndebourne Chorus, Enrique Mazzola (conductor) & Annabel Arden (director)
High-flying American tenor Taylor Stayton proves vocally agile and dramatically vital as Count Almaviva, with Danielle de Niese an entrancing Rosina…as for Alessandro Corbelli’s Bartolo, his... — More…
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Gianni Schicchi & The Miserly Knight
Sergei Leiferkus & Matilda Leyser, Alessandro Corbelli (Gianni Schicchi), Sally Matthews (Lauretta), Felicity Palmer (Zita), Massimo Giordano (Rinuccio), Adrian Thompson (Gherardo), Olga Schalaeva (Nella), Christopher Waite (Gherardino), Maxim Mikhailov II (Betto di Signa), Luigi Roni (Simone),...
Annabel Arden’s dark staging of Rachmaninov’s opera and her brilliantly funny view of Puccini’s comedy make for a perfect Glyndebourne evening. Sergei Leiferkus and Alessandro Corbelli are memorable... — More…
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Donizetti: Le convenienze ed inconvenienze teatrali
Laurent Naouri (Mamma Agata), Patrizia Ciofi (Daria), Charles Rice (Procolo), Clara Meloni (Luigia), Enea Scala (Guglielmo), Pietro Di Bianco (Biscroma Strappaviscere), Enric Marinez-Castignani (Cesare Salsapariglia), Piotr Micinski (L'Impressario), Katherine Aitken (Pippetto), Dominique Beneforti...
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Mozart: Idomeneo
Eric Cutler (Idomeneo), David Portillo (Idamante), Anett Fritsch (Ilia), Eleonora Buratto (Elettra), Benjamin Hulett (Arbace), Oliver Johnston (High Priest), Alexander Tsymbalyuk (Voice of Neptune), Teatro Real Chorus & Orchestra, Ivor Bolton
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Offer,
Hildegard von Bingen in portrait A full performance of 'Ordo Virtutum' - arguably the oldest surviving opera - together with a documentary about Hildegard, including a dramatised biography starring Patricia Routledge.
Vox Animae, Evelyn Tubb, Michael Fields
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Verdi: Otello
Plácido Domingo (Otello), Kiri Te Kanawa (Desdemona), Sergei Leiferkus (Iago), Robin Leggate (Cassio), Ramon Remedios (Rodrigo), Mark Beesley (Lodovico), Roderick Earle (Montano), Claire Powell (Emilia)
The Royal Opera & The Orchestra of the Royal Opera House, Georg Solti
Sergei Leiferkus's dark Russian tone… suits Iago down to the ground. Kiri Te Kanawa's limpid tone makes her a near-ideal Desdemona… Plácido Domingo… is noble and heroic. — More…
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Shakespeare: Love’s Labour’s Lost
Recorded live at the Royal Shakespeare Theatre, Stratford-upon-Avon, March 2015
Sam Alexander (King of Navarre), Peter Basham (Gamekeeper), William Belchambers (Longaville), Edward Bennett (Berowne), Nick Haverson (Costard), Emma Manton (Jaquenetta), John Hodgkinson (Don Armado), Tunji Kasim (Dumaine)
Royal Shakespeare Company, Christopher Luscombe (director)
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Cecilia Bartoli sings Mozart & Haydn
Cecilia Bartoli (mezzo)
Concentus Musicus Wien, Nikolaus Harnoncourt
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Offer,
Rameau: In Convertendo, grand motet Nicolas Rivenq, Sophie Daneman, Jeffrey Thompson & Olga Pitarch
Orchestra and Chorus of Les Arts Florissants, William Christie
The tendency to divide top honours in the high Baroque between Bach and Handel seems most unfair when Rameau is on the menu. What an astonishing musical imagination! The performance of the... — More…
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Pratt's soprano has a very lively, glittering surface...pinpoint flickers of brilliance in Eva Dell'Acqua's 'Villanelle', a confident high E flat in Rossini's 'La fioraia fiorentina'. — More…
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