Onyx
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Stravinsky: Petrushka (1911 version)
Recommendedand Rossini/Respighi: La Boutique fantasque (compiled by Malcolm Sargent)
Royal Liverpool Philharmonic Orchestra, Vasily Petrenko
[In the Rossini/Respighi] Petrenko has the idiosyncratic fun of a true ballet master...Petrushka, though, remains the selling-point. If not quite the most vivid throughout, it too has original... — More…
Awards:
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Presto Recording of the Week, 30th October 2020
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Presto Recordings of the Year, Finalist 2020
CD
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With some discs, you can just tell that everything’s going to go like a dream… The freshness and spontaneity of these interpretations is unfaltering, as is the instantaneous rapport and subtle,... — More…
Awards:
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Gramophone Magazine, December 2019, Editor's Choice
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Gramophone Awards, 2020, Finalist - Chamber
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Stravinsky: The Firebird & Rimsky-Korsakov: Le Coq d'Or
RecommendedRoyal Liverpool Philharmonic Orchestra, Vasily Petrenko
Petrenko’s preference for slow tempos over flexible drama might make for fidgety audiences in the concert hall…It just about works on CD, and then all hell’s let loose in perfectly-balanced... — More…
Awards:
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Presto Recordings of the Year, Finalist 2018
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Presto Recording of the Week, 14th December 2018
CD
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Offer,
Bruckner: Symphony No. 4 2nd version, 1878/80
Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan
Hindoyan’s interpretation of the Fourth Symphony is well paced, admirably attentive to dynamics and avoids any interpretative eccentricities. — More…
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Britten & Shostakovich: Violin Concertos
James Ehnes (violin)
Bournemouth Symphony Orchestra, Kirill Karabits
Karabits and Ehnes share a powerful idea of [the Britten's] narrative, and each scene is vividly realised...Karabits draws searing clarity, balance and detail from the Bournemouth Symphony Orchestra...his... — More…
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The London Connection: Beethoven. Clementi. Cramer
Dejan Lazic (piano)
Netherlands Chamber Orchestra, Gordon Nikolic
Lazić is a fine musician, and plays both solo pieces thoughtfully and imaginatively…The presence of a conductor…might have produced a more integrated and compelling account [of the Concerto];... — More…
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…Ehnes has returned to these coruscating 'finger-breakers' (as Ricci once described them), playing with the same glowing tonal finesse as before, but with a new lyrical intensity… Beguilingly... — More…
Awards:
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Gramophone Magazine, January 2010, Disc of the Month
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Handel: Chandos Te Deum and Chandos Anthem No. 8
London Handel Orchestra & Soloists, Adrian Butterfield
The London Handel Orchestra and Soloists, under the assured direction of Adrian Butterfield, offer lightly-articulated and texturally lucid performances, where Grace Davidson’s limpid A major... — More…
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[Moog] gives a strong performance: rich and lavishly varied in sound, powerful, panoramically phrased with an impressive command of large-scale structure, and characterised with enough sleight-of-hand... — More…
Awards:
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Gramophone Magazine, Awards Issue 2014, Editor's Choice
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Yeol Eum Son’s technique is formidable: she takes on the technical horrors of the Fantasie’s middle movement with breathtaking elegance and confidence. But when you’re as accomplished as she... — More…
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