Onyx
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Rysanov illuminates [the Arpeggione] with warmth and grace…The Third Sonata benefits, again, from [his] buoyant lyricism and the rich timbre of his Guadagnini, glowing like ruby embers against... — More…
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Britten: Complete Songs Volume 1
Malcolm Martineau (piano), James Geer (tenor), Ben Johnson (tenor), Caryl Hughes (mezzo), Philip Smith (baritone), Nicky Spence (tenor), Katherine Broderick (soprano), Robin Tritschler (tenor), Andrew Tortise (tenor)
James Geer, a tenor with an instinct for the inflection of poetry that matches the composer's own, offers 'A Dirge'...Katherine Broderick brings by turns a forlorn beauty and a fiery plangency... — More…
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Poètes du Piano is the perfect description for this beautifully sequenced selection of Romantic piano pieces, a series of exquisite miniatures by the likes of Chopin, Ravel, Fauré and Poulenc,... — More…
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…the playing here is predictably impressive. In particular, the outer movements of the two Mendelssohn trios sound refreshingly less frenetic than they often do, and the comparatively relaxed... — More…
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Gomziakov and his pianist, Andrei Korobeinikov, play both works with ardent Romantic expressiveness, well capturing in the First Sonata the second movement’s impetuous and stormy episodes. — More…
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Brahms Serenade No. 1 & Beethoven Romances
Augustin Dumay (violin & conductor)
Kansai Philharmonic Orchestra
A robust performance of Brahms's warm-hearted First Serenade. Beethoven's Romances make a satisfying counterpart, the solo parts lovingly played by Dumay. — More…
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Dvorak: Violin Concerto
Jan Mrácek (violin), Lukás Klánsky (piano)
Czech National Symphony Orchestra, James Judd
Mráček offers a lusty performance of the infrequently performed Mazurek, Op 49 – both violinist and conductor score maximum points here. — More…
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Saint-Saëns: La Muse et la Poete, Cello Concerto No. 1 & Symphony No. 1
Pavel Gomziakov (cello)
Kansai Philharmonic Orchestra, Sachio Fujioka, Augustin Dumay
Dumay makes a convincing case for the First Symphony and sympathetically supports Gomziakov's lively account of the Cello Concerto, with some delicate poetry in the slow movement. — More…
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The Kuss's relatively low-key approach works well in the Schnittke but makes the Concertino seem discursive and dull...The Kuss seem more at home in Dubinsky's arrangements of Tchaikovsky...In... — More…
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