Onyx
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Schumann & Mozart: Sophie Pacini
Sophie Pacini (piano)
Deutsche Staatsphilharmonie Rheinland-Pfalz, Radoslaw Szulc
This debut reveals a sympathetic tone and an independent spirit which particularly suit the Schumann. Tempos are well-judged, with room for Pacini to explore the work's lyrical meditations.... — More…
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Goetzel calibrates dynamic terracing particularly deftly [in the Hindemith scherzo]...[He] also excels in Florent Schmitt's festeringly erotic Tragedy of Salome...drawing playing of hot commitment... — More…
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Siècle
Leonard Elschenbroich (cello), Alexei Grynyuk (piano)
BBC Scottish Symphony Orchestra, John Wilson, Stefan Blunier
The undoubted jewel on the disc is the performance of the Dutilleux concerto, which is in every way outstanding…Elschenbroich demonstrates virtuosity and musicianship of a high order — More…
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Schwanewilms holds Schoenberg's melody, in his early Op. 2 songs, like the finest silken thread. Her faultless legato realises to perfection the echoes of inner rhyme and assonance within the... — More…
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Tchaikovsky: Piano Concertos Nos. 1 & 2
Simon Trpčeski (piano)
Royal Liverpool Philharmonic Orchestra, Vasily Petrenko
[In No. 2] Trpčeski begins like a racehorse out of the starting gate...Still, overall he sounds less impetuous and more poised than Denis Matsuev in his recent recording...Petrenko is always... — More…
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My Name Is Barbara
English and American art-song
Barbara Bonney (soprano) & Malcolm Martineau (piano)
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Shai Wosner plays Haydn and Ligeti
Shai Wosner (piano)
Danish National Symphony Orchestra, Nicholas Collon
[Wosner] responds to every twist and turn with a sense of great immediacy as well as an airy, high-stepped poise and unerring pointing-up of Ligeti’s deliciously unpredictable rhythms. — More…
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Everything is crisply articulated and thoroughly thought through…The Grosse Fuge maintains momentum, winding tighter and tighter; then its final section begins so softly it’s almost playful,... — More…
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Apekisheva certainly takes nothing for granted and brings several individual touches to Pictures...As a whole, though, Apekisheva's interpretation comes across as over-calculating and deliberate...Generally... — More…
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Rogé makes this collection all the more memorable with his effortless interpretation of Debussy's style through his own sensitive tone and expression. Performing Debussy's preludes since the... — More…
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