Oehms

Ullmann's score seems more indebted to the Russians' percussive brand of piano-writing than to the expressive legacy of Schoenberg, his one-time teacher...Schuch contributors some beautiful... — Gramophone Magazine, May 2013 More…

placing all my cards on the table, I have to say I have rarely heard Mozart-playing more graceful, fine-toned and inward-looking...his hypersensitivity to underlying drama, to the composer's... — Gramophone Magazine, May 2014 More…

Bernhard Berchtold has mastered the crucial rustic accent and sings Adam's big numbers pleasantly. Mörbisch's admirable orchestra do all that Zeller asks of them. Gerrit Priessnitz's leadership... — Opera, March 2018 More…

Musical authority and coordination, more notable is the sense of sheer enjoyment which permeates every bar. This is a sheer joy to listen to. — MusicWeb International, October 2017 More…

Albrecht’s arrangement and performance both rise to the challenge with impressive success. The acoustic of Munich’s ultra-modern Gasteig concert hall – able to handle a thunderous volume-level... — BBC Music Magazine, October 2018, 5 out of 5 stars (Performance) / 4 out of 5 stars (Recording) More…