Oehms

Sabadus acquits himself particularly well. He never sings out of tune, and can encompass all the notes, also giving the music a constant sense of direction in, for instance, two of Ramiro’s... — Opera, August 2015More…

Much but not all of his score is reactive, with dramatic flashpoints left to voices alone, sometimes spoken…this to-the-point score gets a tight performance under Thomas Søndergård and there... — Gramophone Magazine, March 2018More…

He brings an admirable clarity to Brahms’s thick textures in an objective reading that is more lyrical than heroic. A cool beauty pervades the slow movement and tensile elasticity characterises... — Gramophone Magazine, December 2016More…

[The organ] certainly packs the kind of hefty, bone-shaking punch that calls to mind a mid-Atlantic storm...Albrecht has a powerful vision for [the New World transcription] and is superb in... — Gramophone Magazine, February 2021More…

— BBC Music Magazine, January 2023, 3 out of 5 starsMore…