Chamber, Menotti (composer)
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American Classical Masterpieces
Leon Bates, James Barbagallo, Roberto Díaz, Sal Andolina, Carolyn Enger, Ike Hawkersmith, Kirsten Gunlogson, Dean Anthony, Todd Thomas, Kevin Short (bass), Bart LeFan, Boris Berman (piano), Christopher Mallett, Tim Fain, Jeffrey Silberschlag, Peter Mintun, Christopher Lamb, Blair McMillen (piano),...
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Focus Cello
Pablo Ferrández (cello), Benedict Kloeckner (cello), Anastasia Kobekina (cello), Edgar Moreau (cello)
Heinrich Schiff
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The Essential Nashville Symphony Orchestra
Roberto Díaz, Zuill Bailey (cello), Alan Feinberg, Marianne Cooke, Robert Dean, Mike Eldred, Betsi Morrison, Michael San Giovanni, Christopher Lamb, Leslie Norton, Angela Brown, Ike Hawkersmith, Kirsten Gunlogson, Dean Anthony, Todd Thomas, Kevin Short (bass), Bart LeFan, James F. Neal, Nashville...
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Special offer. Menotti - Chamber Works
Christine Brewer (soprano), Roger Vignoles (piano), Gillian Tingay (harp), Vanbrugh Quartet, Marianne Thorsen (violin), Max Martin (clarinet), Julian Milford (piano)
This unfamiliar, abundantly melodic chamber music by a composer best known for his operas...comes as a welcome surprise...these instrumental works, voluptuous, expressive and often Ravel-like... —
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The Italian Album
The Philadelphia Brass Ensemble, The Cleveland Brass Ensemble, Chicago Brass Ensemble, English Chamber Orchestra, The Cleveland Orchestra, The Chicago Brass Ensemble, Myron Bloom (french horn), Mason Jones (french horn), Robert Boyd (trombone), Bernard Adelstein (trumpet), GIOVANNI GABRIELI (c.1554/57-1612)...
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Special offer. Gian Carlo Menotti: Il Telefono
Marco Sollini (piano), Cinzia Forte, Marco Camastra, Fabrizio M Carminati, Stefano Ferrario (violin), Stefano Ricci (clarinet)
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Bach, Beethoven & Others: Violin Works
Tossy Spivakovsky, Robert Cornman, Artur Balsam (piano), Boston Symphony Orchestra, Charles Munch
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Special offer. Little Girl Blue
from Nina Simone
Sonia Wieder-Atherton (cello), Bruno Fontaine (piano) & Laurent Kraif (percussions)
Bold reimaginings of [Nina] Simone’s own radical, sometimes fierce music… Wieder-Atherton captures the spirit of her subject. —
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