SACD, Reger (composer)
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As Simon Johnson admits, presenting two hours of music based on just four notes doesn’t sound a tantalising prospect, but this double album is full of revelations… Altogether, this is a remarkable... —
Awards:
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Gramophone Magazine, March 2022, Editor's Choice
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Awards:
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Opus Klassik Awards, 2023, Nominated - Young Talent
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This is sensational!...at no point in the programme do you feel that the technical and intellectual demands are in any way compromising her interpretations, which are wholly excellent. —
Awards:
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Gramophone Magazine, September 2021, Recording of the Month
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Gramophone Awards, 2022, Shortlisted - Instrumental
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Reger: Organ Works, Vol. 6
Gerhard Weinberger (Steinmeyer Organ of Christuskirche Mannheim, Bittner Organ of St. Walburga Beilngries)
Steinmeyer’s ‘Mannheim marvel’ fits Reger’s music like a glove and Weinberger makes much of it in the painterly contrasts of the op.127 Introduction, Passacaglia & Fugue and three movements... —
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Reger: Organ Works, Vol. 5
Gerhard Weinberger (organ - played on historical instruments from Reger’s days)
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Tine Thing Helseth - My Heart is Ever Present
Tine Thing Helseth (trumpet) & Isa Katharina Gericke (soprano)
Norwegian Chamber Orchestra, Elise Båtnes (leader/director)
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Reger: Organ Works, Vol. 4
played on historical instruments from Reger's days
Gerhard Weinberger (organ)
Weinberger’s choice of registrations is imaginative, and the spectrum of colour he achieves is astonishing. His excellent accompanying annotations provide some welcome information on the instruments... —
