SACD, Muffat, Georg (composer)
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Jonathan Freeman-Attwood's playing is notable for the beauty and freedom of line of his lyrical phrasing, while the bravura is exhilarating. Daniel-Ben Pienaar's accompaniments are boldly supportive... —
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Bach and the South German Tradition II
Martin Neu (Blasius Bernauer Organ, Laufenburg (CH), Metzler Organ, Stuttgart-Obertürkheim) & Wilfried Rombach (tenor organ)
This is a fascinating, well-executed release that is recommended to anyone with an interest in music of this period. —
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Special offer. Muffat - Auserlesene mit Ernst und Lust gemengte Instrumentalmusik
Holland Baroque Society, Matthew Halls
The full, rich sonority of the opening of Concerto IV, Dulce somnium, sets the tone, and the lively movements have a freshness and vitality that demonstrate the players' keen enthusiasm. —
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Violin Sonatas from the Kremsier Archive
Anton Steck (baroque violin), Christian Rieger (harpsichord/organ), Lee Santana (arciliuto/chitarrone) & Hille Perl (viola da gamba)
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