SACD, Liszt (composer)
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Panache is Kantorow’s strength throughout the program, but it is combined with probing emotional maturity, which is rare. I doubt that any prediction will come true for him other than the prediction... — More…
Awards:
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Presto Recording of the Week, 16th October 2020
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Gramophone Magazine, November 2020, Editor's Choice
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Wee conjures the compelling illusion of being both Mozart’s soloist and his orchestra... it ’s not every pianist who can lift those notes off the page – and Wee does a wonderful job of honouring... — More…
Awards:
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Gramophone Magazine, December 2022, Recording of the Month
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Gramophone Awards, 2023, Shortlisted - Piano
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Offer,
A Simple Song Anne Sofie von Otter (mezzo-soprano), Sharon Bezaly (flute), Fabian Fredriksson (electric guitar), Margareta Nilsson (harp), Bengt Forsberg (organ), Nils-Erik Sparf (violin), Marie McLeod (cello), Ellen Nisbeth (viola)
Von Otter’s generous personality is reflected in the way she puts over every item, with care for text and a honeyed sweetness of tone…Admirers of the singer will certainly want it; and, if you’re... — More…
Awards:
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Presto Editor's Choice, December 2018
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Kantorow's approach rejects bombast in favour of an equable, mellow-toned artistry that's admirable in itself…Kantorow's way with [the Second Concerto], at once powerful and lucid, convinces... — More…
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Awards:
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Opus Klassik Awards, 2023, Nominated - Young Talent
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Awards:
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Opus Klassik Awards, 2023, Nominated - Young Talent & Solo Instrumental
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The SACD sound is first-class and the booklet notes by both artists attractive, not least in drawing attention to the great artists of the past whose performances and arrangements are saluted... — More…
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It's not just intelligent programme planning...that makes Piemontesi stand out; this is seriously classy pianism. Clarity of thought is complemented by clarity of touch, incisive intellect by... — More…
Awards:
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BBC Music Magazine Awards, 2012, Newcomer of the Year
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