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Blu-Ray Video, Gluck (composer)
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Special offer. Gluck: Orfeo ed Euridice
RecommendedBejun Mehta (Orfeo), Eva Liebau (Euridice) & Regula Mühlemann (Amore)
Collegium 1704, Collegium Vocale 1704, Václav Luks
At its best, indeed, in the unadorned unfolding of hell and then heaven, the experience strikes fire in a manner crucially lacking in other filmed Orfeos. Unfortunately, not even this one comes... —
Awards:
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Building a Library, July 2014, DVD/Blu-ray Choice
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Gramophone Magazine, September 2014, DVD/Blu-ray of the Month
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Presto Recordings of the Year, Finalist 2014
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Special offer. Gluck: Iphigénie en Tauride
Juliette Galstian (Iphigenie), Rodney Gilfrey (Oreste), Deon Van Der Walt (Pylades), Anton Scharinger (Thoas) & Martina Janková (Goddess Diana)
Orchestra « La Scintilla » of The Zurich Opera House (on historical instruments), William Christie (conductor) & Claus Guth (stage director)
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Gluck: Iphigénie en Aulide & Iphigénie en Tauride
Recorded live at De Nederlandse Opera, September 2011
Véronique Gens (Iphigénie), Salomé Haller (Diane), Nicolas Testé (Agamemnon) & Anne Sofie von Otter (Clytemnestre), Mireille Delunsch (Iphigénie), Laurent Alvaro (Thoas), Jean-François Lapointe (Oreste), Yann Beuron (Pylade) & Salomé Haller (Diane)
Les Musiciens du Louvre Grenoble &...
in this performance every cross-hatched, baleful figure is crisp and clear...Veronique Gens's submissive, poised Iphigénie [en Aulide] becomes Mireille Delunsch's red-eyed, hysterical Iphigénie... —
Awards:
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Gramophone Magazine, May 2013, DVD/Blu-ray of the Month
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Special offer. Gluck: Orphée et Euridice
Juan Francisco Gatell (Orphée), Anna Prohaska (Euridice), Sara Blanch (L’Amour)
Orchestra e Coro del Maggio Musicale Fiorentino, Arno Schuitemaker’s Ballet Company, Daniele Gatti, Lorenzo Fratini
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Gluck: Orphée et Eurydice
Orpheus - Yann Bridard (ballet), Maria Riccarda Wesseling (opera), Eurydice - Marie-Agnès Gillot (ballet), Julia Kleiter (opera), Amor - Miteki Kudo (ballet ) & Sunhae Im (opera)
Ballet de l'Opéra national de Paris & Balthasar-Neumann Chor & Ensemble, Thomas Hengelbrock
Even though I’m a bit allergic to Bausch’s brand of Teutonic gloom, I can’t deny that this has a rare emotional intensity which grows out of the music. —
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Gluck: Orphée et Eurydice
Roberto Alagna (Orphée), Serena Gamberoni (Eurydice) & Marc Barrard (L'Amour)
Teatro Comunale di Bologna Orchestra, Giampaolo Bisanti
The first of several fade-cuts… takes us to the scene of a car crash, where paramedics pull Eurydice's body from the wreckage. Thence to the graveyard, whence all that follows is Orphée's dream.... —
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Gluck: Alceste
Dorothea Röschmann (Alceste), Charles Castronovo (Admète), Michael Nagy (High Priest of Apollo), Bayerische Staatsoper, Antonello Manacorda
The chorus and orchestra under Antonello Manacorda are fine, as is Tiziano Mancini’s video direction —
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Gluck: Orphée et Euridice
Juan Diego Flórez (Orphée), Christiane Karg (Euridice), Fatma Said (Amor); Coro e Orchestra del Teatro alla Scala, Michele Mariotti
Flórez burns up the stage, vocally, and dramatically. His voice is Orphic: supple, strong, many-hued and profoundly expressive; his inner turmoil is gripping. Choreographer Hofesh Shechter is... —
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Gluck: Orfeo ed Euridice
Anita Rachvelishvili (Orfeo), Maite Alberola (Euridice), Auxiliadora Toledano (Amore)
Orquesta BandArt, Gordan Nikolić
Rachvelishvili is a natural performer with a beautifully full mezzo-soprano, but as yet a lightweight Gluckian. —