Arnell
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Rumon Gamba and the BBC Philharmonic do bustle very well, and the Chandos microphones prove particularly good at pinpointing details like a tuba's lugubrious waddle. —
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Martin Yates conducts Bate, Arnell & Chisholm
Recorded: Henry Wood Hall, Glasgow, 17-18 September 2009
Royal Scottish National Orchestra, Martin Yates
Martin Yates and the RSNO seem understandably swept away with the gripping music, and excellent sound helps makes this very much one of the most impressive Dutton discs to have come my way —
Awards:
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Gramophone Magazine, April 2010, Editor's Choice
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Captured in beguilingly immediate sound that creates the impression of Emma Abbate and Julian Perkins playing in your liv ing room, this is a recording I have already returned to several times... —
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Arnell - Punch and the Child
Charles Mutter (solo violin), Lorraine McAslan (violin)
BBC Concert Orchestra, Martin Yates
Harlequin in April, recorded here for the first time, was Arnell's most enduring ballet in the theatre… Concerto capriccioso… endearingly inventive and moving work, with sweet lyricism masking... —
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Music of England, Vol. 2
Robert Grooters (leadvocalist), Philadelphia Orchestra, Royal Philharmonic Orchestra, Sir Thomas Beecham
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Arnell: Chamber Music
Locrian Ensemble: Lorraine McAslan (violin), Philip Dukes (viola), Justin Pearson (cello), Sophia Rahman (piano)
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Written in London between 1955 and 1957 and revised seven years later, Richard Arnell's Fifth Symphony is an enormously sincere, patiently argued statement, full of rhetorical grandeur and unapologetically... —
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[Arnell] completed the third of his six symphonies in August 1945. …an enormously ambitious canvas… whose staggering reserves of energy, affirmative spirit and lack of inhibition should gain... —
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Guirne Creith, Richard Arnell & Thomas Pitfield - Violin Concertos
World premiere recordings, recorded: Henry Wood Hall, Glasgow, 26-28 August 2008
Lorraine McAslan (violin)
Royal Scottish National Orchestra, Martin Yates
Dutton here resurrects three long-buried British violin concertos… The excellent Lorraine McAslan is a sensitive soloist, giving all three works the supremely confident advocacy they need,... —
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