Friedman, I
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A bold and dramatic account of Mozart's K475C minor Fantasia opens this memorable and imaginatively devised recital. — More…
Awards:
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BBC Music Magazine, April 2008, Instrumental Choice
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Blumenfeld’s Étude pour la main gauche seule takes its influence from Godowsky’s compositions for left hand. Gugnin’s masterful fluidity in the scurrying passages is impressive; so is the judicious... — More…
Awards:
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Presto Editor's Choice, March 2020
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Gramophone Magazine, May 2020, Editor's Choice
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Gramophone Magazine, Critics' Choice 2020
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Right from the first note, you realise Chochieva has not just drifted into the studio on a whim or simply to fulfil a contract. This is music-making of real purpose and conviction. — More…
Awards:
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Gramophone Magazine, April 2021, Editor's Choice
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Superb playing is matched by fine engineering in the atmospheric acoustic of Potton Hall. Greatly recommended – you won't regret it. — More…
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The quality of Froundjian’s playing is evident in the delicately nuanced account of Palmgren’s Snowflakes, which opens the programme…If you tend to get all carolled out over the Christmas season,... — More…
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This is such a cornucopia of good things it is hard to know where to start...[in the Bach] Joyce's deft, sparingly pedalled light touch, her nonchalant speed and fluency and a palpable enjoyment... — More…
Awards:
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Gramophone Magazine, December 2011, Re-issue of the Month
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New. 'The Piano Collection'
Stephen Hough (piano), Ronan O'Hora (piano)
Hallé Orchestra, BBC Symphony Orchestra, Bryden Thomson, Sir Andrew Davis
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Friedman’s finest performances are intimate and mellow revealing a passion for lyric line, inner voicing, phrasing and cadence… every page was a door to an infinity of feelings and beyonds. — More…
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Rarities of Piano Music at the Husum Festival 2008
Daniel Berman (piano), Koji Attwood (piano), Denis Pascal (piano), Peter Jablonski (piano), Peter Froundjian (piano), Roland Pöntinen (piano), Marc-André Hamelin (piano)
Another enticing collection of piano rarities from this north German festival. …Marc-André Hamelin's entrancing verve and insinuation in three Charles Trenet/Weissenberg transcriptions (try... — More…
