Merulo
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Buccarella’s playing is superb, and he is fully at home with all of his instruments, instinctively knowing the characteristic sound of each. He exploits the registration to bring out the varying... —
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The London Oratory boys’ choir has a solid presence, with good balance and body. —
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Observations of Venice
Ian Harrison (soloist, percussion), Mathis Wolfer (soloist, bass recorder), Nura Natour (soloist, recorder), Tabea Popien (soloist, alto recorder), Felix Schenker (soloist, bass recorder), ensemble feuervogel
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The Valvasone Organ Book: Music for the 16th Century Vincenzo Colombi Organ
Manuel Tomadin (soloist)
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The flow of the recital is pleasing and logical musically, avoiding the didactic approach where ‘original’ and variations follow each other unrelentingly. —
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San Marco di Venezia: The Golden Age
Laurent Stewart (fortepiano)
Les Traversées Baroques, Etienne Meyer
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Caccini - Dolcissimo Sospiro
Arie e Madrigali
Roberta Invernizzi (soprano)
Accademia Strumentale Italiana (on period instruments)
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The Age of Cesaria Gussago
16th-17th century music in Venice & Brescia
Sonatores Pannoniae (playing on period instruments), László Borsódy
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