Gramophone Awards, 1996

Every so often a major pianist reclaims Scarlatti for the piano with an outstanding recording. As Ralph Kirkpatrick put it, Scarlatti's harpsichord, while supremely itself, is continually menacing... — Gramophone Classical Music Guide, 2010 More…

A glitteringly worthy addition to the Hyperion series ... Stephen Hough exhibits dazzling flair in showpiece concertos by Sauer and Scharwenka – and plenty of stamina ... Hough plays throughout... — Classic CD More…

The Mosaïques, at a rather slower tempo than usual, find in the themeand- variation finale of the G major Quartet, No 5, an unsuspected reflective tenderness.
The theme itself is played with... — Gramophone Classical Music Guide, 2010 More…

Tomlinson pulls off the feat magnificently. There's a deep, grainy quality to his voice that catches the sorrow and cynicism of the Green Knight perfectly...Another strength of this recording... — BBC Music Magazine, October 2014, 4 out of 5 stars More…

Here's a very attractively prepared menu whose main course is the Stabatmater for countertenor and strings.
Hors-d'oeuvres and side-dishes consist of a ripieno concerto (RV114), a chamber cantata... — Gramophone Classical Music Guide, 2010 More…

Bostridge’s peculiarly beseeching voice enshrines the vulnerability, tender feeling and obsessive love of the youthful miller … a soulsearching interpretation — Gramophone Magazine More…

Every so often a CD appears which, by means of some interpretative insight, changes our view of a piece of music. This disc changes our whole perspective in a wholly different sense, for it... — Gramophone Classical Music Guide, 2010 More…