Browse: Cyndia Sieden (soprano)
This page lists all recordings performed by Cyndia Sieden.
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Adès: The Tempest
RecommendedSimon Keenlyside (Prospero), Kate Royal (Miranda), Toby Spence (Ferdinand), Ian Bostridge (Caliban), Cyndia Sieden (Ariel), Philip Langridge (Alonso), Donald Kaasch (Antonio), Jonathan Summers (Sebastian), David Condier (Trinculo), Stephen Richardson (Stefano), Graeme Danby (Gonzalo)
The Chorus...
…everyone reaches out to the purple passages when Adès touches something rich and strange. Those include the evolution of the young lovers' music from homages to midsummer Britten and Tippett... — More…
Awards:
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Gramophone Magazine, August 2009, Disc of the Month
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Gramophone Awards, 2010, Winner - Contemporary
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Grammy Awards, 56th Awards (2013), Best Opera Recording
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12 Audiobiographies of Great Composers By Jörg Handstein (in German) Udo Wachtveitl (narrator), Albrecht Schuch (narrator), Shenja Lacher (narrator), Adam Gaigl (narrator), Florian von Manteuffel (narrator), Stefan Hunstein (narrator), Katja Schild (narrator), Anna Greiter (narrator), Folkert Dücker (narrator), Günter Holzhausen, Max Hanft, Alexej Gorlatch, Bernhard...
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Mozart: Arias For Aloysia Weber
Cyndia Sieden (soprano), Orchestra of the 18th Century, Frans Brüggen
CD
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The Best of Thomas Adès
Thomas Adès (piano, organ, harpsichord), David Goode (organ), Stephen Farr (organ), Valdine Anderson (soprano), Claron McFadden (soprano), Robert Quinney (organ), Endellion String Quartet (string quartet), Anthony Marwood (violin), Susan Bickley (mezzo-soprano), Tom Poster (piano), Hugh Webb (harp),...
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Gluck: Orfeo ed Euridice Derek Lee Ragin (Orfeo), Sylvia McNair (Euridice), Cyndia Sieden (Amor)
English Baroque Soloists, Monteverdi Choir, Sir John Eliot Gardiner
Gardiner's original-version Orfeo is unequalled in dramatic conviction, sweep and command. Leading roles have been bettered elsewhere; but overall this is one of the great Gluck recordings. — More…
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Mozart: Die Entführung aus dem Serail, K384
Luba Orgonasova (Konstanze), Cyndia Sieden (Blonde), Stanford Olsen (Belmonte), Uwe Peper (Pedrillo), Cornelius Hauptmann (Osmin), Hans-Peter Minetti (Bassa Selim)
The Monteverdi Choir &The English Baroque Soloists, John Eliot Gardiner
One of Mozart's most colourful and delightful scores, The Seraglio is stylishly sung here in a performance that includes the spoken dialogue. Gardiner's orchestral forces are on tip-top form,... — More…
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The Very Best of Mozart
Jonathan Bradley (organ), Geoffrey Collins (flute), Suzanne Handel (harp), Isobel Buchanan (soprano), John Pringle (baritone), Lin Jiang (horn), Daniel Yeadon (cello), Nicole Forsyth (viola), Rebecca Somers (violin), John Lewis (clarinet), Scott Taggart (violin), Gerard Willems (piano), Vera Kameneva...
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Lost Music of Early America: Music of the Moravians
Sharon Baker (soprano), Cyndia Sieden (soprano), Martin Pearlman (fortepiano, narrator)
Boston Baroque, Boston Shawm & Sackbut Ensemble
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Mozart: Arias for Aloysia Weber
Cyndia Sieden (soprano)
Orchestra of the 18th Century, Franz Brüggen (director)
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Mozart's Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486
Cyndia Sieden (soprano), Sharon Baker (soprano), John Aler (tenor), Kevin Deas (baritone), Deanne Meek (mezzo-soprano), Alan Ewing (bass (vocal))
Boston Baroque, Martin Pearlman
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