Book
$158.50Special import
Contents
- Acknowledgements
- List of Illustrations
- Introduction: On Radio, Red Music, and Revolution
- Defining Red Music
- A Continuous Revolution
- Radio and Voice
- Social History of Sound Reproduction
- Ethnographic and Archival Research
- Structure of the Book
- Note on Language and Music
- Chapter 1: Sound, Technology, and Culture in French Indochina
- Cultural Colonialism in French Indochina
- Trading Instruments, Scores, and Recordings
- The Gramophone as a Lifestyle Choice
- Radio as a Technology of the Future
- Public Radio in French Indochina
- The Radio Club of Northern Indochina
- Instability under Japanese Occupation
- Local Clubs with Global Perspectives
- Chapter 2: Battle of the Airwaves during the First Indochina War
- Producing the Declaration of Independence
- Viet Minh Clandestine Radio in the Mountains
- Making Music for the Masses
- Cosmopolitan Styles on Radio Hanoi
- Inventing Traditions for the Vietnamese
- Forgotten Musicians of the Vi?t Nh?c Ensemble
- Viet Minh Radio becomes the Official Voice of Vietnam
- Chapter 3: Songs of the Golden Age in the Democratic Republic
- Radio Infrastructure in the DRV
- Recording, Broadcasting, and Receiving Signals
- VOV Directives and Programming Traditions
- Iconic Voices, Musicians, and Singers
- Local and International Tours
- Reification of Gender Roles
- Men as Administrators and Composers
- Women as Mothers and Martyrs
- Children as Nephews and Nieces
- Listening and Responding in the South
- Music for the Liberation of Saigon, April 30, 1975
- Sonic Reterritorialization of the Socialist State
- Chapter 4: National Radio in the Reform Era
- Post-War Unification of the Musical Media
- Challenges and Opportunities in the Reform Era
- VOV3: A Place for Music
- Programming the Minorities on Air
- Curating the Past: The VOV Sound Centre and its Archives
- History of the VOV Soun d Centre
- Engaging with the Archives
- Forecasting the Future: Listener-Centred Productions
- Surveying the Musical Preferences of Audiences
- Responding to Audience Demand
- Revolutionizing the Medium, Regurgitating the Message
- Chapter 5: Studio Production in Contemporary Vietnam
- The Politics of Intangible Cultural Heritage
- Representing the Nation with Traditional Music
- In the Rehearsal Hall, July 12, 2016
- In the Recording Studio, July 15, 2016
- Redefining the Nation with New Music
- In the Rehearsal Hall, July 13, 2016
- In the Recording Studio, July 14, 2016
- Post-Production and Dissemination
- Reproducing the Homeland in the Late-Reform Era
- Conclusion: Nostalgia for the Past, Hope for the Future
- Notes
- Bibliography
- Interviews
- Index