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Voices of Vietnam: A Century of Radio, Red Music, and Revolution

  • Author: Briain, Lonan O

Book

$48.75

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Contents

  • Acknowledgements
  • List of Illustrations
  • Introduction: On Radio, Red Music, and Revolution
  • Defining Red Music
  • A Continuous Revolution
  • Radio and Voice
  • Social History of Sound Reproduction
  • Ethnographic and Archival Research
  • Structure of the Book
  • Note on Language and Music
  • Chapter 1: Sound, Technology, and Culture in French Indochina
  • Cultural Colonialism in French Indochina
  • Trading Instruments, Scores, and Recordings
  • The Gramophone as a Lifestyle Choice
  • Radio as a Technology of the Future
  • Public Radio in French Indochina
  • The Radio Club of Northern Indochina
  • Instability under Japanese Occupation
  • Local Clubs with Global Perspectives
  • Chapter 2: Battle of the Airwaves during the First Indochina War
  • Producing the Declaration of Independence
  • Viet Minh Clandestine Radio in the Mountains
  • Making Music for the Masses
  • Cosmopolitan Styles on Radio Hanoi
  • Inventing Traditions for the Vietnamese
  • Forgotten Musicians of the Vi?t Nh?c Ensemble
  • Viet Minh Radio becomes the Official Voice of Vietnam
  • Chapter 3: Songs of the Golden Age in the Democratic Republic
  • Radio Infrastructure in the DRV
  • Recording, Broadcasting, and Receiving Signals
  • VOV Directives and Programming Traditions
  • Iconic Voices, Musicians, and Singers
  • Local and International Tours
  • Reification of Gender Roles
  • Men as Administrators and Composers
  • Women as Mothers and Martyrs
  • Children as Nephews and Nieces
  • Listening and Responding in the South
  • Music for the Liberation of Saigon, April 30, 1975
  • Sonic Reterritorialization of the Socialist State
  • Chapter 4: National Radio in the Reform Era
  • Post-War Unification of the Musical Media
  • Challenges and Opportunities in the Reform Era
  • VOV3: A Place for Music
  • Programming the Minorities on Air
  • Curating the Past: The VOV Sound Centre and its Archives
  • History of the VOV Soun d Centre
  • Engaging with the Archives
  • Forecasting the Future: Listener-Centred Productions
  • Surveying the Musical Preferences of Audiences
  • Responding to Audience Demand
  • Revolutionizing the Medium, Regurgitating the Message
  • Chapter 5: Studio Production in Contemporary Vietnam
  • The Politics of Intangible Cultural Heritage
  • Representing the Nation with Traditional Music
  • In the Rehearsal Hall, July 12, 2016
  • In the Recording Studio, July 15, 2016
  • Redefining the Nation with New Music
  • In the Rehearsal Hall, July 13, 2016
  • In the Recording Studio, July 14, 2016
  • Post-Production and Dissemination
  • Reproducing the Homeland in the Late-Reform Era
  • Conclusion: Nostalgia for the Past, Hope for the Future
  • Notes
  • Bibliography
  • Interviews
  • Index