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Contents
- Iniquitous Innocence: The Ambiguity of Music in the Phantasien uber die Kunst (1799) - Richard Littlejohns
- The Cosmic-Symphonic: Novalis, Music, and Universal Discourse -
- "Das Hoeren ist ein Sehen von und durch innen": Johann Wilhelm Ritter and the Aesthetics of Music - Thomas Straessle
- Music and Non-Verbal Reason in E. T. A. Hoffmann - Jeanne Riou
- Perceptions of Goethe and Schubert - Lorraine Byrne
- Goethe's Egmont, Beethoven's Egmont - David Hill
- A Tale of Two Fausts: An Examination of Reciprocal Influence in the Responses of Liszt and Wagner to Goethe's FaustFaust - David Larkin
- Musical Gypsies and Anti-Classical Aesthetics: The Romantic Reception of Goethe's Mignon Character in Brentano's Die mehrenen Wehmuller und ungarische GeschichterDie mehrenen Wehmuller und ungarische Geschichter - Stefanie Bach
- Stages of Imagination in Music and Literature: E. T. A. Hoffmann and Hector Berlioz - Andrea Huebener
- The Voice from the Hereafter: E. T. A. Hoffmann's Ideal of Sound and Its Realization in Early Twentieth-Century Electronic MusicElectronic Music - Werner Keil
- "My song the midnight raven has outwing'd": Schubert's "Der Wanderer," D. 649 - James Parsons
- The Notion of Personae in Brahm's "Bitteres zu sagen denkst du": op. 32, no. 7: A literary key to musical performance? - Natasha Loges
- Robert Schneider's Schlafes Bruder -- a Neo-Romantic Musikernovelle? - Juergen Barkhoff