Book
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Contents
- Contents
- Preface
- Part 1 Harmony in Two and Three Parts
- Chapter 1 Two-Part Scale Realization
- 1.1 Parallel Thirds and Parallel Sixths
- 1.2 Alternation of Thirds and Sixths
- 1.3 Suspensions: Sevenths and Seconds
- 1.4 Alternative Voice Leading of Suspension Patterns
- Chapter 2 Three-Part Scale Realization
- 2.1 The Fauxbourdon
- 2.2 The Monte and the 7-6 Fauxbourdon
- 2.3 The Stepwise Romanesca
- 2.4 Fifth Down Fourth Up
- 2.5 The Tied Bass
- Chapter 3 The Three-Part Cadence
- 3.1 The Simple Cadence
- 3.2 The Compound Cadence
- 3.3 The Double Cadence
- 3.4 The Galant Cadence
- 3.5 The Neapolitan Cadence
- Chapter 4 The Rule of the Octave
- 4.1 The Ascending Pentachord
- 4.2 The Descending Pentachord
- 4.3 The Ascending Tetrachord
- 4.4 The Descending Tetrachord
- Chapter 5 Galant Schemata
- 5.1 The Leaping Romanesca
- 5.2 The Quiescenza
- 5.3 The Prinner
- 5.4 The Monte Romanesca
- 5.5 The Fenaroli
- 5.6 The Folia
- Part Two Harmony in Four Parts
- Chapter 6 Fundamentals of Four-Part Harmony
- 6.1 The Compound Cadence (II)
- 6.2 The Galant Cadence (II)
- 6.3 The Discant Cadence
- 6.4 The Dominant Seventh Chord
- 6.5 The Dominant Seventh Family
- 6.6 The Four-Part Rule of the Octave
- Chapter 7 Beyond the Rule of the Octave
- 7.1 The Diminished Seventh Family
- 7.2 Fifth Down Fourth Up and Third Down Second Up
- 7.3 The Tied Bass (II)
- 7.4 Descending Thirds
- 7.5 The Folia (II)
- Chapter 8 Chromaticism
- 8.1. The Fonte
- 8.2 The Chromatic Monte
- 8.3 Tonicization in Descending Thirds
- 8.4 The Chromatic Tetrachord: The Lamento
- 8.5 The Chromatic Tetrachord: Advanced Realizations
- 8.6 The Chain of Dominants
- Chapter 9 Enharmonization
- 9.1 The Minor Seventh and the Augmented Sixth
- 9.2 The Augmented Sixth and the Minor Seventh
- 9.3 Enharmonizations of the Diminished Seventh Chord
- 9.4 Enharmonizations of the Augmented-Fifth Triad
- 9.5 The Omnibus
- Appendix I Chord Construction
- Appendix II Cadences
- Online Supplements:
- Workbook
- Realizations of the Exercises
- Manual for Teachers
- Midi Sound Files of the Examples
- Preface