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 New,Harmony, Counterpoint, Partimento: A New Method Inspired by Old Masters

  • Author: Ijzerman, Job

Book

$47.25

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Contents

  • Contents
  • Preface
  • Part 1 Harmony in Two and Three Parts
  • Chapter 1 Two-Part Scale Realization
  • 1.1 Parallel Thirds and Parallel Sixths
  • 1.2 Alternation of Thirds and Sixths
  • 1.3 Suspensions: Sevenths and Seconds
  • 1.4 Alternative Voice Leading of Suspension Patterns
  • Chapter 2 Three-Part Scale Realization
  • 2.1 The Fauxbourdon
  • 2.2 The Monte and the 7-6 Fauxbourdon
  • 2.3 The Stepwise Romanesca
  • 2.4 Fifth Down Fourth Up
  • 2.5 The Tied Bass
  • Chapter 3 The Three-Part Cadence
  • 3.1 The Simple Cadence
  • 3.2 The Compound Cadence
  • 3.3 The Double Cadence
  • 3.4 The Galant Cadence
  • 3.5 The Neapolitan Cadence
  • Chapter 4 The Rule of the Octave
  • 4.1 The Ascending Pentachord
  • 4.2 The Descending Pentachord
  • 4.3 The Ascending Tetrachord
  • 4.4 The Descending Tetrachord
  • Chapter 5 Galant Schemata
  • 5.1 The Leaping Romanesca
  • 5.2 The Quiescenza
  • 5.3 The Prinner
  • 5.4 The Monte Romanesca
  • 5.5 The Fenaroli
  • 5.6 The Folia
  • Part Two Harmony in Four Parts
  • Chapter 6 Fundamentals of Four-Part Harmony
  • 6.1 The Compound Cadence (II)
  • 6.2 The Galant Cadence (II)
  • 6.3 The Discant Cadence
  • 6.4 The Dominant Seventh Chord
  • 6.5 The Dominant Seventh Family
  • 6.6 The Four-Part Rule of the Octave
  • Chapter 7 Beyond the Rule of the Octave
  • 7.1 The Diminished Seventh Family
  • 7.2 Fifth Down Fourth Up and Third Down Second Up
  • 7.3 The Tied Bass (II)
  • 7.4 Descending Thirds
  • 7.5 The Folia (II)
  • Chapter 8 Chromaticism
  • 8.1. The Fonte
  • 8.2 The Chromatic Monte
  • 8.3 Tonicization in Descending Thirds
  • 8.4 The Chromatic Tetrachord: The Lamento
  • 8.5 The Chromatic Tetrachord: Advanced Realizations
  • 8.6 The Chain of Dominants
  • Chapter 9 Enharmonization
  • 9.1 The Minor Seventh and the Augmented Sixth
  • 9.2 The Augmented Sixth and the Minor Seventh
  • 9.3 Enharmonizations of the Diminished Seventh Chord
  • 9.4 Enharmonizations of the Augmented-Fifth Triad
  • 9.5 The Omnibus
  • Appendix I Chord Construction
  • Appendix II Cadences
  • Online Supplements:
  • Workbook
  • Realizations of the Exercises
  • Manual for Teachers
  • Midi Sound Files of the Examples
  • Preface