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Explorations in Schenkerian Analysis

  • Author: Beach, David
  • Author: Mak, Su Yin
The analyses in the book are of a high quality [and treat] form and structure, the role of motif (a trademark of Laufer), and the relationship between voice-leading structure and musical meaning.... More…

Book

$162.00

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Contents

  • Preface
  • A Letter about the C-Major Fugue from The Well-Tempered Clavier, Book 1 - Charles Burkhart
  • The Opening Tonal Complex of Bach's St. Matthew Passion: A Linear View - Mark Anson-Cartwright
  • Recurrence and Fantasy in C. P. E. Bach's Rondo in G Major - Frank Samarotto
  • Voice-Leading Procedures in Galant Expositions - L. Poundie Burstein
  • The First Movements of Anton Eberl's Symphonies in E-flat Major and D Minor, and Beethoven's Eroica: Toward "New" Sonata Forms? - Timothy Jackson
  • Schubert's "Unfinished" Symphony: Analytical Observations - David W. Beach
  • Structural and Form-Functional Ambiguities in the First Movement of Schubert's Octet in F Major, D. 803 - Su Yin Mak
  • The Form of Chopin's Prelude in B-flat Major, Op. 28, No. 21 - Roger Kamien
  • "All That Is Solid Melts into Air": Schumann's Overture to Manfred - William Rothstein
  • Endings without Resolution: The Slow Movement and Finale of Schumann's Second Symphony - Lauri Suurpaa
  • Half-Diminished-Seventh Openings in Brahms's Lieder - Ryan McClelland
  • Motivic Enlargement in Dvorak's Symphony Op. 70 - Leslie Kinton
  • Deliverance and Compositional Design in the "Libera me" of Verdi's Messa da Requiem - Donald R. McLean
  • Polyphony and Cacophony? A Schenkerian Reading of Strauss's "Dance of the Seven Veils" - Matthew Brown
  • A Force of Nature: Debussy and the Chromatically Displaced Dominant - Boyd Pomeroy
  • Appendix: An Interview with Edward Laufer - Stephen Slottow