Call Me the Seeker
Listening to Religion and Popular Music
- Editor: Gilmour, Michael J.
One rarely unearths an in-depth study of religion and popular music like this essay collection" - Library Journal, August 2005 — More…
Book
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Contents
- Introduction
- Michael J. Gilmour. Radios in Religious Studies Departments: Preliminary Reflections on the Study of Religion in Popular Music
- Section One: Religious Sources behind Popular Music
- Daniel Maoz. Woman as Shekhinah: Kabbalistic References in Bob Dylan's Infidels
- James Knight. "I Ain't Got No Home in This World Anymore": Protest and Promise in Woody Guthrie and the Jesus Tradition
- Michael J. Gilmour. The Prophet Jeremiah, Aung San Suu Kyi, and U2's All That You Can't Leave Behind: On Listening to Bono's Jeremiad
- Section Two: Religious Themes in Popular Music
- Karl J. McDaniel. Suffering and Sacrifice in Context: Apocalypticism and Life beyond Les Miserables. Brian Froese. Comic Endings: Spirit and Flesh in Bono's Apocalyptic Imagination, 1980-1983
- Anna Kessler. Faith, Doubt, and the Imagination: Nick Cave on the Divine-Human Encounter
- Paul Martens. Metallica and the God That Failed: An Unfinished Tragedy in Three Acts
- Harold Penner. The Nature of His Game: A Textual Analysis of "Sympathy for the Devil"
- J. R.C. Cousland. God, the Bad, and the Ugly: The Vi(t)a Negativa of Nick Cave and P. J. Harvey
- Randall Holm. "Pulling Back the Darkness": Starbound with Jon Anderson
- Section Three: Religion and Popular Music's Audiences
- Angela M. Nelson. "God's Smiling on You and He's Frowning Too": Rap and the Problem of Evil
- Tim Olaveson. Transcendent Trancer: A Scholar Experiences Rave in Central Canada
- Andreas Hager. Under the Shadow of the Almighty: Fan Reception of Some Religious Aspects in the Work and Career of the Irish Popular Musician Sinead O'Connor
- Thomas Nesbit. Planet Rock: Black Socioreligious Movements in Early 1980s Electro
- Melanie Takahashi. Spirituality through the Science of Sound: The DJ as Technoshaman in Rave Culture
- Maxine Grossman. Jesus, Mama, and the Constraints on Salvific Love in Contemporary Country Music.