Essays on Renaissance Music in Honour of David Fallows: Bon jour, bon mois et bonne estrenne

Contents

• Manuscript Sigla
• Preface - Fabrice Fitch and Jacobijn Kiel
• Foreword: David Fallows and the Performance of Medieval Music -
• Fremin le Caron at Amiens: New Documents - Rob C. Wegman
• Ung Petit cadet: Verbal and Visual Play in the Wolfenbuttel Chansonnier - Jane Alden
• A New Tenor on So ys emprentid - Bonnie Blackburn
• Shedding New Light [Literally] on the Rochester Fascicle: A Preliminary Report - Honey Meconi
• Two musical letters from Aragonese Naples - Gianluca D'Agostino
• Johannes Sohier dit Fede and St. Omer: a Story of Pragmatic Sanctions - Andrew Kirkman
• Intermedio I: Yes, We Were Young... - Jaap van Benthem
• Petrarch, Padua, the Malatestas, Du Fay and Vergene bella - Margaret Bent
• A Suggestion about Fauxbourdon - James Haar
• Du Fay's Plainsong Paraphrase Settings - Alejandro Planchart
• With a Flourish: Melismatic Writing in Du Fay's Early Songs - Jesse Rodin
• Portugaler: Guillaume Du Fay's contribution to instrumental music? - Lorenz Welker
• A Reconsideration of the Mass Cycle by Arnold de Lantins and Ciconia in Bologna Q15 - Kinuho Endo
• Martini and Obrecht: Some Speculations - Joshua Rifkin
• The Art of Cellular Counterpoint: The Motets of Petrus Wilhelmi - Thomas Schmidt-Beste
• What Were They Thinking? Sola caret monstris at the Papal Court - Richard Sherr
• A Gloria Newly Attributed to Byttering - Peter Wright
• Intermedio II: Agricola VIII - Fabrice Fitch
• A new song in a strange land? Garcimunos's Una montana pasando - Tess Knighton
• Isaac's pre-Italian songs: An over-optimistic hand-list - Warwick Edwards
• Words and Music in the Sea of Long Waiting - Adam Knight Gilbert
• 'Dieu vous doinst hui en bonne estraine tout le desir de vostre coeur': Observations on Binchois' Margarite, fleur de valeur - Markus Jans
• Three times seven Songs by Byrd - Oliver Neighbour
• 'I must complain': A Comparative Study in Variant Settings - Anthony Rooley
• Heinrich Isaac and shifting musical perspectives, c.1485-1490 - Keith Polk
• 'Plaine de dueil et de melancolie': Tracing a Negative of Josquin des Prez - Jaap van Benthem
• Surface, Structure and 'Style' in Absalon fili mi - John Milsom
• Who Really Knows Who Composed Mille regretz? - Fabrice Fitch
• Josquin, Two Contrafacta, and the Lost Stanzas of 'Comment peult avoir joye' - Jeffrey Dean
• In pace in idipsum: a little-known motet attributed to Josquin - Eric Jas
• Intermedio III: Verspatete Monologe - Brahms' Klavierstucke op. 116, 117, 118 und 119 - Peter Gulke
• Confessional Companions: Herpol, Glareanus, and Friends - Matthew Laube, Reviews Editor
• Credit for Music in Court and City in the Low Countries, 1467-1500 - Barbara Haggh
• David musicus, or: On the consoling power of string music - Dagmar Hoffmann-Axthelm
• The Laudes Musicae in Renaissance Music Treatises - Leofranc Holford-Strevens
• The Role of Music in 16th Century German City Life: A close look at the iconography of Hans Sachs' and Jost Amman's Standebuch - Andrea Lindmayr-Brandl
• The Perfect Spanish Chapelmaster: the Depiction of the Composer Gines Perez [d. 1600] in Felipe Pedrell's Hispaniae Schola Musica Sacra - Esperanza Rodriguez-Garcia
• The 'topstukkendecreet' in Flanders and its musical context: the case of Glareanus' Dodekachordon - Eugeen Schreurs
• The difference of early European music - Reinhard Strohm
• List of Contributors
• Principal publications of David Fallows