Tippett Studies

Contents

• Preface
• References to Tippett's scores and essays
• 1. 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra David Clarke
• 2. From pastiche to free composition: R. O. Morris, Tippett and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli Anthony Pople
• 3. 'Is there a choice at all?' King Priam and motives for analysis Arnold Whittall
• 4. Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical framework Kenneth Gloag
• 5. Tippett, sequence and metaphor Christopher Mark
• 6. Tonal elements and their significance in Tippett's Sonata No. 3 for Piano Alastair Borthwick
• 7. 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto Stephen Collisson
• 8. Tippett's King Priam and 'the tragic vision' Rowena Pollard and David Clarke
• 9. Tippett at the millennium: a personal memoir Wilfrid Mellers
• 10. Decline or renewal in late Tippett? The Fifth String Quartet in perspective Peter Wright
• Appendix
• Index.