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Special offer. Dutilleux: Sur le même accord, Les citations, Mystère de l'instant & Timbres, espace, mouvement

Dutilleux: Orchestral Works Vol. 3

Augustin Hadelich (violin), Mary Lynch (oboe), Jordan Anderson (double bass), Mahan Esfahani (harpsichord), Michael A. Werner (percussion), Chester Englander (cimbalom)

Seattle Symphony Orchestra, Ludovic Morlot

Impeccable orchestral playing under the stewardship of a conductor whose instinct for Dutilleux’s harmonic and gestural sensibilities feels unerringly spot-on

Special offer. Dutilleux: Sur le même accord, Les citations, Mystère de l'instant & Timbres, espace, mouvement

Dutilleux: Orchestral Works Vol. 3

Augustin Hadelich (violin), Mary Lynch (oboe), Jordan Anderson (double bass), Mahan Esfahani (harpsichord), Michael A. Werner (percussion), Chester Englander (cimbalom)

Seattle Symphony Orchestra, Ludovic Morlot

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96 kHz, 24 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

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Impeccable orchestral playing under the stewardship of a conductor whose instinct for Dutilleux’s harmonic and gestural sensibilities feels unerringly spot-on

About

Ludovic Morlot and the Seattle Symphony release the third volume on the orchestra’s Grammy Award-winning Dutilleux cycle. This disc features violinist Augustin Hadelich in a rapturous performance of Sur le méme accord, and a thrilling live performance of one of Dutilleux’s masterpieces, Timbres, espace, mouvement.

With naturalistic imaging, depth of field and dynamic range, all Seattle Symphony Media recordings have been engineered to audiophile standards and aim to capture as realistically as possible the sound of the orchestra performing on the Benaroya Hall stage.

Contents and tracklist

I. For Aldeburgh 85
Track length4:29
II. From Janequin to Jehan Alain
Track length8:58
I. Nébuleuse
Track length9:19
II. Interlude
Track length4:03
III. Constellations
Track length8:14

Awards and reviews

November 2016

Impeccable orchestral playing under the stewardship of a conductor whose instinct for Dutilleux’s harmonic and gestural sensibilities feels unerringly spot-on
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