Help
Skip to main content

Prokofiev: Symphony No. 5 in B flat major, Op. 100

Royal Concertgebouw Orchestra, Mariss Jansons

Prokofiev: Symphony No. 5 in B flat major, Op. 100
this is wonderful, sensuous, lush sound … Jansons has a great sensitivity to style.

Prokofiev: Symphony No. 5 in B flat major, Op. 100

Royal Concertgebouw Orchestra, Mariss Jansons

Purchase product

SACD

Hybrid Multi-channel

$16.75

10+ available: usually despatched in 4 - 6 working days

Download

From$10.00

Download

Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

$15.00

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$10.00

This release includes a digital booklet

Stream now Hi-Res 96 kHz, 24 bit
Fair Play.
We pay more royalties to artists and composers than any other streaming service with our innovative Fair Play pay-per-second model
We pay artists and composers fairly with our pay-per-second model
this is wonderful, sensuous, lush sound … Jansons has a great sensitivity to style.

About

In this recording of Sergei Prokofiev's masterful Fifth Symphony, Mariss Jansons and the Royal Concertgebouw Orchestra find themselves on familiar ground. Already in 1948 (four years after the world premiere) Eduard van Beinum introduced it to the orchestra. A long line of famous conductors followed, including André Previn, George Szell, Vladimir Ashkenazy and Valery Gergiev. The fact that this music is part of Mariss Jansons' musical DNA, may explain the feeling of authenticity in this recording.

Contents and tracklist

I. Andante
Track length12:52
II. Allegro marcato
Track length8:53
III. Adagio
Track length11:22
IV. Allegro giocoso
Track length9:55

Awards and reviews

CD Review 9th July 2016

this is wonderful, sensuous, lush sound … Jansons has a great sensitivity to style.

June 2016

With a wonderful if rather too plush-sounding hall and a glorious orchestra, Jansons secures a soft-grained interpretation that should satisfy his admirers

May 2016

This Jansons version is one of the finest I’ve encountered. His is a version that demonstrates the symphony’s stature. It’s a great shame that the playing time is so meagre but, for once, that’s a secondary issue: the quality of the performance, interpretation and recorded sound trump the issue of the playing time.

21st April 2016

Jansons treats the score with a deep, exalted sort of heroism that speaks beyond any immediate politics of the piece. We get beautiful playing from the great Dutch orchestra: lines unfolding graciously with that majestic Concertgebouw sound, which glowers and glows from the bottom up and in which Jansons takes plenty of time to wallow.
View download progress