Two rhapsodic and improvisatory pieces composed in 1997 for harpist Elizabeth Jane Baldry and revised for publication in 2018. The second makes use of two three-note motifs representing the initials of dedicatee and composer. Using an extended musical alphabet in which J equals the note C and R is the note D, EJB becomes ECB, the defining notes of a C major seventh chord, and PRL its near mirror image, BDE.