Kamran Ince’s eclectic score for Aphrodisiac includes distinctive Turkish sounds and rhythms, a Spanish tango, chant and pop music all meant to seduce the listener into the world of Madeline Schwartzman’s wild film. In a madcap search for this holiest of grails, Aphrodisiac spins a web of sex and religion, samba and militia movements, fashion runways and deli counters.