Jean Philippe Rameau
Born: 25th September 1683, Dijon
Died: 12th September 1764, Paris
Nationality: French
Jean-Philippe Rameau was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin.
Little is known about Rameau's early years. It was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, Hippolyte et Aricie (1733), caused a great stir and was fiercely attacked by the supporters of Lully's style of music for its revolutionary use of harmony.
Read more at https://en.wikipedia.org/wiki/Jean-Philippe_Rameau
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Popular Works: Rameau
- Acante et Céphise, ou La Sympathie (5)
- Castor et Pollux (6)
- Castor et Pollux Overture (4)
- Dardanus (8)
- Dardanus Suite (5)
- Deus noster refugium, grand motet (9)
- Gavotte (13)
- Gavotte and Variations (6)
- Gavotte et doubles (4)
- Gigue en rondeau (6)
- Hippolyte et Aricie (10)
- Hippolyte et Aricie: Ballet Suite, No. 1 (5)
- Hippolyte et Aricie: Ballet Suite, No. 2 (5)
- In Convertendo, grand motet (9)
- La follette (4)
- La joyeuse (8)
- La Nuit (The Night) (15)
- La poule (6)
- Laboravi (7)
- Le rappel des oiseaux (5)
- Les Fêtes d'Hébé (4)
- Les Indes Galantes (13)
- Les Indes Galantes: Rondeau (19)
- Les Paladins (4)
- Les Sauvages (9)
- Les Surprises de l'Amour (7)
- Les tendres plaintes (6)
- Menuet (13)
- Musette en rondeau (4)
- Pièces de Clavecin 1724 (9)
- Pièces de Clavecin en concerts (7)
- Platée (5)
- Platée: Ballet Suite (7)
- Quam dilecta, grand motet (15)
- Rigaudon (14)
- Sarabande (5)
- Six Concerts en sextuor (7)
- Tambourin (48)
- Two Minuets (7)
- Zoroastre (6)
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