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Frescobaldi: Messa sopra l'aria della Monica & Motets

Guiseppe Maletto (tenor), Roberto Abbondanza (baritone), Michel van Goethem (counter-tenor), Attilio Cremonesi (organ), Pascal Bertin (counter-tenor), Furio Zanasi (baritone)

Il Teatro Armonico, Alessandro De Marchi

Frescobaldi: Messa sopra l'aria della Monica & Motets
very fine instrumental playing and the rare opportunity to enjoy Frescobaldi’s finest sacred music in a liturgical context.

Frescobaldi: Messa sopra l'aria della Monica & Motets

Guiseppe Maletto (tenor), Roberto Abbondanza (baritone), Michel van Goethem (counter-tenor), Attilio Cremonesi (organ), Pascal Bertin (counter-tenor), Furio Zanasi (baritone)

Il Teatro Armonico, Alessandro De Marchi

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very fine instrumental playing and the rare opportunity to enjoy Frescobaldi’s finest sacred music in a liturgical context.

About

From 1608 Frescobaldi was the organist at St Peter's Basilica in Rome. In 1615 a new basilica was built with two fine organs upon which Frescobaldi performed his famous improvisatory toccatas during ceremonial occasions but he was also expected to provide vocal and choral works for his patron, the Ferrara based Este efamily. It is likely that the Mass 'Sopra l’aria della Monica' was performed in the basilica and based on a popular tune. The 'aria della Monica' was a secular song, quite often used for keyboard variations and instrumental compositions. The mass reflects common practice in Rome in that is scored for eight voices in two choirs and is a beautifully crafted example of late 17th-century Italian church music. Amongst the singers are such familiar names as Rossana Bertini, Giuseppe Maletto (both La Venexiana, La Compagnia del madrigale), Marco Beasley, or Furio Zanasi. Musical direction is in the able hands of Alessandro De Marchi. Formerly available on the Symphonia label, recorded in 1993. Virtually no competition.

Contents and tracklist

Toccata II
Track length4:48
Introit: Civitas Hierusalem
Track length3:09
Kyrie I
Track length1:21
Christe
Track length0:58
Kyrie II
Track length0:52
Gloria
Track length4:41
Epistle: Lectio Epistolae beati Pauli
Track length0:54
Gradual: Canzona XI a due canti detta la Plettenberger
Track length3:09
Gospel: Dominus vobiscum
Track length2:20
Credo
Track length9:43
Offertory: Ricercar dopo il Credo
Track length2:43
Preface: Per omnia saecula saeculorum
Track length3:22
Sanctus
Track length1:50
Elevation: Toccata IV per l'organo da sonarsi all'Elavazione
Track length6:06
lesu flos Mater Virginis
Track length3:26
Pater Noster: Per omnia secula seculorum
Track length3:01
Agnus Dei
Track length1:22
Communio: Ego sum panis
Track length2:41
Post Communio: Canzon II a due canti e due bassi
Track length5:01
Ite Missa est: Ite Missa est
Track length0:56
Capriccio V sopra la bassa fiamenga
Track length6:07

Awards and reviews

Early Music Review October 2014

very fine instrumental playing and the rare opportunity to enjoy Frescobaldi’s finest sacred music in a liturgical context.

Awards Issue 2014

The sound is often a bit rough around the edges but the fluent and skilful performance of the three-part motet Ego sum panis vivus...contradicts criticism by the 17th-century writer Antimo Liberati that Frescobaldi was 'unhappy and inept as a composer of vocal music'.
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