US TARIFFS UPDATE | August 2025 | No impact expected on your Presto orders | Read full details
Rectangles and Circumstance
Caroline Shaw & Sō Percussion
Awards:
-
Grammy Awards, 67th Awards (2025), Winner - Best Chamber Music/Small Ensemble Performance
This fascinating project by Caroline Shaw and Sō Percussion draws on music and poetry that produces intriguing, inventive timbres...This is an infectious musical collaboration which leaves you...
Rectangles and Circumstance
Caroline Shaw & Sō Percussion
Purchase product
Awards:
-
Grammy Awards, 67th Awards (2025), Winner - Best Chamber Music/Small Ensemble Performance
This fascinating project by Caroline Shaw and Sō Percussion draws on music and poetry that produces intriguing, inventive timbres...This is an infectious musical collaboration which leaves you...
About
Rectangles and Circumstance is an album of ten songs co-written and performed by Caroline Shaw and Sō Percussion. The album follows their Grammy-winning Nonesuch debut, Narrow Sea, and their first record as a band, 2021’s Let the Soil Play Its Part, with Shaw on vocals backed by Sō—Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting. Grammy Award–winning engineer Jonathan Low (The National, Taylor Swift) co-produced with them on both Let the Soil… and Rectangles and Circumstances.
Sliwinski says in the new album’s liner notes, “After a few years of touring Let the Soil Play Its Simple Part together, with a pandemic in between, we came to record our second album, Rectangles and Circumstance, as a road-tested band who knew each other’s strengths, weaknesses, and tendencies intimately.” He continues, “Most of the songs started with instrumental pieces or fragments of pieces from Jason or Eric.
“As both a songwriter and a classical composer, Caroline is accustomed to writing lyrics as well as setting them. Going over texts with her is like working on music: I collect a handful of poems and send them over to her, waiting to see if anything catches her interest, then I modify my search based on her feedback,” Sliwinski says. “For this album, Caroline, Eric, and I sourced a group of nineteenth-century poems that shaped its expressive mode [and] ended up using verses by Christina Rosetti, Emily Brontë, Emily Dickinson, Gertrude Stein, and William Blake … The lyrics on this album by members of the band contain wordplay that explores the same profound feelings explored by Blake and Dickinson.”
Contents and tracklist
- Sō Percussion, Adam Sliwinski (drums), Adam Sliwinski (additional percussion), Caroline Shaw (piano), Caroline Shaw (prophet synthesizer), Eric Cha-Beach (clavinet), Eric Cha-Beach (drums), Eric Cha-Beach (glockenspiel), Eric Cha-Beach (mellotron), Eric Cha-Beach (moog), Eric Cha-Beach (additional percussion), Jason Treuting (drums), Jason Treuting (sampler), Josh Quillen (drums), Josh Quillen (wood block percussion)
- Sō Percussion, Adam Sliwinski (additional percussion), Adam Sliwinski (claves percussion), Caroline Shaw (tuba), Eric Cha-Beach (additional percussion), Eric Cha-Beach (claves percussion), Jason Treuting (drums), Jason Treuting (additional percussion), Jason Treuting (maracas percussion), Josh Quillen (bass moog)
- Sō Percussion, Adam Sliwinski (toy piano), Caroline Shaw (tuba), Eric Cha-Beach (kalimba percussion), Eric Cha-Beach (rhodes piano), Jason Treuting (bells), Jason Treuting (drums), Jason Treuting (sampler), Jason Treuting (kalimba percussion), Josh Quillen (bells)
- Caroline Shaw, Sō Percussion, Adam Sliwinski (piano), Eric Cha-Beach (organ), Jason Treuting (drums), Jason Treuting (pots and pans percussion), Jason Treuting (shekere percussion), Josh Quillen (steel drums)
- Caroline Shaw, Sō Percussion, Adam Sliwinski (vibraphone), Eric Cha-Beach (vibraphone), Jason Treuting (crotales), Jason Treuting (drums), Jason Treuting (vibraphone), Jason Treuting (rhodes piano), Josh Quillen (drum machine drums), Josh Quillen (vibraphone)
- Sō Percussion, Ringdown (vocals), Adam Sliwinski (drums), Adam Sliwinski (hand clap), Adam Sliwinski (wood block percussion), Caroline Shaw (tuba), Eric Cha-Beach (drums), Eric Cha-Beach (mellotron), Eric Cha-Beach (wood block percussion), Jason Treuting (drums), Jason Treuting (sampler), Jason Treuting (shaker), Josh Quillen (drums), Josh Quillen (hand clap), Josh Quillen (synthesizer), Josh Quillen (wood block percussion)
- Caroline Shaw, Sō Percussion, Adam Sliwinski (pots and pans percussion), Eric Cha-Beach (pots and pans percussion), Jason Treuting (drum machine drums), Jason Treuting (pots and pans percussion), Josh Quillen (pots and pans percussion)
- Sō Percussion, Adam Sliwinski (additional percussion), Adam Sliwinski (shekere percussion), Adam Sliwinski (vibraphone), Caroline Shaw (tuba), Eric Cha-Beach (vibraphone), Jason Treuting (drums), Jason Treuting (sampler), Jason Treuting (toy piano), Jason Treuting (additional vibraphone), Josh Quillen (bass moog), Josh Quillen (additional percussion)
- Sō Percussion, Caroline Shaw (tuba), Jason Treuting (sampler), Jason Treuting (spoken voice)
- Sō Percussion, Adam Sliwinski (marimba), Adam Sliwinski (synthesizer), Caroline Shaw (tuba), Eric Cha-Beach (crotales), Eric Cha-Beach (organ), Jason Treuting (additional percussion), Jason Treuting (kalimba percussion), Jason Treuting (vibraphone), Josh Quillen (steel drums)
Spotlight on this release
-
An error occurred.
Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.
-
An error occurred.
Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.
Awards and reviews
-
Grammy Awards67th Awards (2025)Winner - Best Chamber Music/Small Ensemble Performance
September 2024
This fascinating project by Caroline Shaw and Sō Percussion draws on music and poetry that produces intriguing, inventive timbres...This is an infectious musical collaboration which leaves you wanting to listen again.
Download queue
| Album | Track | Format | Quality | Status |
|---|