Formidably talented award-winning trumpeter Itamar Borochov takes inspiration from the stirring melody-driven Middle Eastern sounds which have surrounded him since his childhood by the Mediterranean, tracing his journey to the energy-infused streets of New York. The nine original compositions on Borochov’s fourth album celebrate an emergence from a time of hopelessness and loss to a recognition of faith in the radiant life-force.
Trumpeter Itamar Borochov is creating a new musical hybrid - bringing the sacred sounds of his upbringing to a jazz quartet setting. Borochov first heard Sephardic music in his local synagogue and absorbed these ‘maqams’ (modes) of the greater Middle East and North Africa alongside a range of other musical influences, including the Mizrahi and Ashkenazi musical flavors that are his birthright.
Borochov began playing trumpet at the age of eleven and immersed himself in the discovery of jazz, inspired by the jazz trumpet lineage of Louis Armstrong, Clark Terry, Miles Davis, Kenny Dorham, Lee Morgan, and Booker Little through to Wynton Marsalis, and citing the influence of Ben Webster for his assured yet wistful warm airy tone. In 2007 Borochov relocated to New York to study at the New School and attend Barry Harris’s weekly workshops.
His deep knowledge of these various musical disciplines is expressed organically in his original jazz writing, building a bridge between the near-East and the modal styles of Miles Davis, John Coltrane and others.
Borochov performs on a custom-made Monette 4-valve quarter-tone trumpet which he uses to incorporate Maqams, the Middle Eastern microtonal modes that are the musical language of his traditional upbringing, into his playing.
