Sol Do Meio Dia

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Release Date: 21st Jul 2023
Catalogue No: 5821736
Label: ECM
Length: 50 minutes

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Gismonti: Palácio De Pinturas

Work length5:41

$2.05

Egberto Gismonti (guitar), Ralph Towner (guitar)
Recorded: 1977-11-30
Recording Venue: Talent Studio, Oslo

Gismonti: Raga

Work length8:52

$2.05

Egberto Gismonti (guitar), Nana Vasconcelos (percussion), Collin Walcott (tabla)
Recorded: 1977-11-30
Recording Venue: Talent Studio, Oslo

Gismonti: Kalimba (Lua Cheia)

Work length5:15

$2.05

Egberto Gismonti (wooden flute), Nana Vasconcelos (percussion)
Recorded: 1977-11-30
Recording Venue: Talent Studio, Oslo

Gismonti: Coração

Work length5:59

$2.05

Egberto Gismonti (piano)
Recorded: 1977-11-30
Recording Venue: Talent Studio, Oslo

Gismonti: Café - Sapain - Dança Solitária No.2 - Baiao Malandro

Work length24:54

$2.05

Egberto Gismonti (piano), Nana Vasconcelos (percussion), Ralph Towner (guitar), Collin Walcott (bottles), Jan Garbarek (soprano saxophone)
Recorded: 1977-11-30
Recording Venue: Talent Studio, Oslo

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“This album is a classic, no doubt about it.” – Jazziz, 1988

On this 1978 album, the Brazilian guitarist Egberto Gismonti is accompanied by his frequent collaborator on percussion, Nana Vasconcelos, as well as Ralph Towner, Collin Walcott and Jan Garbarek – all of them being or having been ECM stalwarts. The album is inspired by Egberto’s time spent with the Xingu of the Amazon, to whom the album is dedicated

ECM Records continues its series of Hi-Res reissues from its early analog era. This summer’s batch of digitalized Hi-Res releases includes seminal albums by Jan Garbarek, Chick Corea, Dave Holland, Thomasz Stanko, Jack DeJohnette, Eberhard Weber, Paul Motian, Ralph Towner, Egberto Gismonti and many more. As with all Hi-Res releases from ECM’s vast catalogue to date, the underlying premise in digitizing the analogue tapes is not to change the sound of the recordings, but to realize them in their original form, in the most detailed and best possible quality.

Technical Specs:

In the capable hands of mastering engineer Christoph Stickel, the process begins with the original, analogue stereo master tapes. The masters are in excellent condition and can be played without problems. All tapes are played by a Studer A820, which is meticulously calibrated to the respective tape. The analog signal is then digitized in 96kHz/24-bit, which covers the complete spectrum of the original tapes. In each case, a decision is made between a PrismSound ADA-8XR, an Antelope Eclipse Mastering AD, and a Mytek Brooklyn ADC, depending on which one is suited best for the respective recording. No de-noising and no other restoration affecting the sound is applied.”

Sol Do Meio Dia

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