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The Song Is You

Enrico Rava (flugelhorn), Fred Hersch (piano)

The Song Is You

Awards:

In 2021 [Rava] played some concerts with Fred Hersch and the result is another fine partnership which led to more concerts earlier this year, with a further crop due in Europe during the late...

The Song Is You

Enrico Rava (flugelhorn), Fred Hersch (piano)

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This release includes a digital booklet

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Awards:

In 2021 [Rava] played some concerts with Fred Hersch and the result is another fine partnership which led to more concerts earlier this year, with a further crop due in Europe during the late...

About

Their collaboration has been hailed as a summit meeting of two jazz masters - Enrico Rava, trumpeter from Trieste, and Fred Hersch, pianist from Cincinatti, share a deep affection for the tradition and a profound sense for melodic invention.

In this recording, with flugelhorn and piano glowing in the superb acoustic of the Lugano studio, Rava and Hersch explore some much-loved standards: Jerome Kern's "The Song Is You", Thelonious Monk's "Mysterioso" and "'Round Midnight", Jobim's "Retrato em Branco e Preto", and George Bassman's "I'm Getting Sentimental Over You". They also play their own tunes, Fred's "Child's Song" and Enrico's "The Trial", and improvise freely together.

Enrico Rava has been an ECM artist for almost fifty years. The Song Is You is Fred Hersch's first for the label. The album was recorded at Auditorio Stelio Molo RSI in November 2021, and produced by Manfred Eicher.

Enrico Rava: flugelhorn

Fred Hersch: piano

Contents and tracklist

Awards and reviews

  • Jazzwise
    Editor's Choice
    October 2022

October 2022

In 2021 [Rava] played some concerts with Fred Hersch and the result is another fine partnership which led to more concerts earlier this year, with a further crop due in Europe during the late autumn. However, their 2021 collaboration was captured for posterity by ECM, and the album they have created plays brilliantly to the strengths of both musicians.

December 2022

These are ideal duo partners, not because they have a lifetime of experience in common, congruent resumes and shared credits, nor because they take a blandly conversational approach to the music (one of the dullest of all premises for improvisation), but because they are content to work seemingly parallel paths and see where they converge. There are few things more exciting and satisfying in jazz than that.
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